ead,
And thereto joined doors I made me, well-fitting in their stead.
Then I lopped away the boughs of the long-leafed olive-tree,
And, shearing the bole from the root up full well and cunningly,
I planed it about with the brass, and set the rule thereto,
And shaping thereof a bed-post, with the wimble I bored it through.
So beginning, I wrought out the bedstead, and finished it utterly,
And with gold enwrought it about, and with silver and ivory,
And stretched on it a thong of oxhide with the purple dye made
bright.
Thus then the sign I have shown thee; nor, woman, know I aright
If my bed yet bideth steadfast, or if to another place
Some man hath moved it, and smitten the olive-bole from its base.'
These last twelve books of the _Odyssey_ have not the same marvel of
romance, adventure and colour that we find in the earlier part of the
epic. There is nothing in them that we can compare to the exquisite
idyll of Nausicaa or to the Titanic humour of the episode in the Cyclops'
cave. Penelope has not the glamour of Circe, and the song of the Sirens
may sound sweeter than the whizz of the arrows of Odysseus as he stands
on the threshold of his hall. Yet, for sheer intensity of passionate
power, for concentration of intellectual interest and for masterly
dramatic construction, these latter books are quite unequalled. Indeed,
they show very clearly how it was that, as Greek art developed, the epos
passed into the drama. The whole scheme of the argument, the return of
the hero in disguise, his disclosure of himself to his son, his terrible
vengeance on his enemies and his final recognition by his wife, reminds
us of the plot of more than one Greek play, and shows us what the great
Athenian poet meant when he said that his own dramas were merely scraps
from Homer's table. In rendering this splendid poem into English verse,
Mr. Morris has done our literature a service that can hardly be
over-estimated, and it is pleasant to think that, even should the
classics be entirely excluded from our educational systems, the English
boy will still be able to know something of Homer's delightful tales, to
catch an echo of his grand music and to wander with the wise Odysseus
round 'the shores of old romance.'
_The Odyssey of Homer_. Done into English Verse by William Morris,
Author of _The Earthly Paradise_. Volume II. (Reeves and Turner.)
MRS. SOMERVILLE
(_Pall Mall Gazet
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