FREE BOOKS

Author's List




PREV.   NEXT  
|<   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82  
83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   >>   >|  
ll events, yield to the softest etymological pressure. But now if we hear the story of Phoibos Apollon falling in love with Daphne, and Daphne praying to her mother, the Earth, to save her from Phoibos; and if we read how either the earth received her in her lap, and then a laurel tree sprang up where she had disappeared, or how she herself was changed into a laurel tree, what shall we think of this? It is a mere story, it might be said, and why should there be any meaning in it? My answer is, because people do not tell such stories of their gods and heroes, unless there is some sense in them. Besides, if Phoibos means the sun, why should not Daphne have a meaning too? Before, therefore, we can decide whether the story of Phoibos and Daphne is a mere invention, we must try to find out what can have been the meaning of the word Daphne. In Greek it means a laurel,(38) and this would explain the purely Greek legend that Daphne was changed into a laurel tree. But who was Daphne? In order to answer this question, we must have recourse to etymology, or, in other words, we must examine the history of the word. Etymology, as you know, is no longer what it used to be; and though there may still be a classical scholar here and there who crosses himself at the idea of a Greek word being explained by a reference to Sanskrit, we naturally look to Sanskrit as the master-key to many a lock which no Greek key will open. Now Daphne, as I have shown, can be traced back to Sanskrit Ahana, and Ahana in Sanskrit means the dawn. As soon as we know this, everything becomes clear. The story of Phoibos and Daphne is no more than a description of what every one may see every day; first, the appearance of the Dawn in the eastern sky, then the rising of the Sun as if hurrying after his bride, then the gradual fading away of the bright Dawn at the touch of the fiery rays of the sun, and at last her death or disappearance in the lap of her mother, the Earth. All this seems to me as clear as daylight, and the only objection that could be raised against this reading of the ancient myth would be, if it could be proved, that Ahana does not mean Dawn, and that Daphne cannot be traced back to Ahana, or that _Helios_ does not mean the Sun. I know there is another objection, but it seems to me so groundless as hardly to deserve an answer. Why, it is asked, should the ancient nations have told these endless stories about the Sun and the Dawn, and why should
PREV.   NEXT  
|<   58   59   60   61   62   63   64   65   66   67   68   69   70   71   72   73   74   75   76   77   78   79   80   81   82  
83   84   85   86   87   88   89   90   91   92   93   94   95   96   97   98   99   100   101   102   103   104   105   106   107   >>   >|  



Top keywords:

Daphne

 

Phoibos

 

laurel

 
Sanskrit
 

meaning

 

answer

 

stories

 
objection
 

mother

 

traced


ancient

 

changed

 
naturally
 

description

 

master

 
disappearance
 

Helios

 

proved

 

reading

 

groundless


endless
 

nations

 
deserve
 

raised

 

gradual

 

fading

 

hurrying

 

eastern

 
rising
 

bright


reference
 

daylight

 

appearance

 

disappeared

 
heroes
 

people

 

sprang

 

pressure

 
Apollon
 

etymological


softest

 

events

 

falling

 

received

 
praying
 

Etymology

 

longer

 

history

 
examine
 

etymology