hat horrid tribunal,
the Inquisition, was erected at Lisbon, where he himself long presided
as Inquisitor-General. Nor was he content with this: he established an
Inquisition, also, at Goa, and sent a whole apparatus of holy fathers to
form a court of inquisitors, to suppress the Jews and reduce the native
Christians to the see of Rome. Nor must the treatment experienced by
Buchanan at Lisbon be here omitted. John III., earnest to promote the
cultivation of polite literature among his subjects, engaged Buchanan,
the most elegant Latinist, perhaps, of modern times, to teach philosophy
and the _belles lettres_ at Lisbon. But the design of the monarch was
soon frustrated by the clergy, at the head of whom was Henry, afterwards
king. Buchanan was committed to prison, because it was alleged that he
had eaten flesh in Lent, and because in his early youth, at St. Andrew's
in Scotland, he had written a satire against the Franciscans; for which,
however, ere he would venture to Lisbon, John had promised absolute
indemnity. John, with much difficulty, procured his release from a
loathsome jail, but could not effect his restoration as a teacher. No,
he only changed his prison, for Buchanan was sent to a monastery "to be
instructed by the monks," of the men of letters patronized by Henry.
These are thus characterized by their pupil Buchanan,--_nec inhumanis,
nec malis, sed omnis religionis ignaris_: "Not uncivilized, not
flagitious, but ignorant of every religion."

[12] According to Gedron, a second edition of the Lusiad appeared in the
same year with the first. There are two Italian and four Spanish
translations of it. A hundred years before Castera's version it appeared
in French. Thomas de Faria, Bp. of Targa in Africa, translated it into
Latin. Le P. Niceron says there were two other Latin translations. It is
translated, also, into Hebrew, with great elegance and spirit, by one
Luzzatto, a learned and ingenious Jew, author of several poems in that
language, who died in the Holy Land.

[13] This passage in inverted commas is cited, with the alteration of
the name only, from Langhorne's account of the life of William Collins.

[14] The drama and the epopoeia are in nothing so different as in
this--the subjects of the drama are inexhaustible, those of the epopoeia
are perhaps exhausted. He who chooses war, and warlike characters,
cannot appear as an original. It was well for the memory of Pope that he
did not write the epic poe