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pt Gareth, and to some extent Gawain, the unamiable character which Mordred enjoys throughout, and which even in the _Merlin_ is found showing itself in Agravaine. But Sir Lamoracke, their victim, is almost Lancelot's equal: and the best of Lancelot's kin, especially Sir Bors, come not far behind. It is entirely untrue that, as the easy epigram has it, they all "hate their neighbour and love their neighbour's wife." On the contrary, except in the bad subjects--ranging from the mere ruffianism of Breuse-sans-Pitie to the misconduct of Meleagraunce--there is no hatred of your neighbour anywhere. It is not hatred of your neighbour to be prepared to take and give hard blows from and to him, and to forgather in faith and friendship before and after. And as to the other and more delicate point, a large majority of the knights can at worst claim the benefit of the law laid down by a very pious but indulgent mediaeval writer,[56] who says that if men will only not meddle with "spouse or sib" (married women or connections within the prohibited degrees), it need be no such deadly matter. [Footnote 56: _Cursor Mundi_, l. 2898.] [Sidenote: _Arthur._] It may be desirable, as it was in reference to Charlemagne, to say a few words as to Arthur himself. In both cases there is noticeable (though less in the case of Arthur than in that of Charlemagne) the tendency _not_ to make the king blameless, or a paragon of prowess: and in both cases, as we should expect, this tendency is even more noticeable in the later versions than in the earlier. This may have been partly due to the aristocratic spirit of at least idealised feudalism, which gave the king no semi-divine character, but merely a human primacy _inter pares_; partly also to the literary instinct of the Middle Ages, which had discovered that the "biggest" personage of a story is by no means that one who is most interesting. In Arthur's very first literary appearance, the Nennius passage, his personal prowess is specially dwelt upon: and in those parts of the _Merlin_ group which probably represent the first step from Geoffrey to the complete legend, he slays Saxons and Romans, wrests the sword single-handed from King Ryaunce, and so forth, as valiantly as Gawain himself. It is, however, curious that at this time the writers are much less careful than at a later to represent him as faithful to Guinevere, and blameless before marriage, with the exception of the early affair wit
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