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not for the purpose of a history of English Literature proper, the contemporary French and Latin writing has to be taken side by side with it. [Sidenote: _Early Middle English Literature._] It is not surprising that, although the Latin literary production of the time, especially in history, was at least equal to that of any other European country, and though it is at least probable that some of the greatest achievements of literature, French in language, are English in nationality, the vernacular should for long have been a little scanty and a little undistinguished in its yield. Periods of moulting, of putting on new skins, and the like, are never periods of extreme physical vigour. And besides, this Anglo-Saxon itself had (as has been said) been distinctly on the wane as a literary language for more than a century, while (as has not yet been said) it had never been very fertile in varieties of profane literature. This infertility is not surprising. Except at rare periods literature without literary competition and comparison is impossible; and the Anglo-Saxons had absolutely no modern literature to compare and compete with. If any existed, their own was far ahead of it. On the other hand, though the supposed ignorance of Latin and even Greek in the "dark" ages has long been known to be a figment of ignorance itself, circumstances connected with, though not confined to, the concentration of learning and teaching in the clergy brought about a disproportionate attention to theology. The result was that the completest Anglo-Saxon library of which we can form any well-based conception would have contained about ten cases of religious to one of non-religious books, and would have held in that eleventh but little poetry, and hardly any prose with an object other than information or practical use. [Sidenote: _Scantiness of its constituents._] It could not be expected that the slowly changing language should at once change its habits in this respect. And so, as the century immediately before the Conquest had seen little but chronicles and homilies, leechdoms and laws, that which came immediately afterwards gave at first no very different products, except that the laws were wanting, for obvious reasons. Nay, the first, the largest, and almost the sole work of _belles lettres_ during the first three-fourths of our period, the _Brut_ of Layamon, is a work of _belles lettres_ without knowing it, and imagines itself to be
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