le, who used the material of the theatre. Kandler says
that he remembered this castle, which had double walls with four towers
to each, and one larger tower towards Monte Maggiore. The present castle
is quite modern, and one is warned off when approaching it. The mediaeval
walls were demolished in 1848. They appear to have been generally in a
bad state of repair, and records of their restoration are frequent. The
sea-walls were thrown down by the Venetians, who did not like the cities
under their sway to have defences on the water-side, though they were
sometimes obliged to permit something of the sort. For instance, in
1351, the Polese were allowed to build a wall 10 ft. high towards the
sea, which was a sufficient defence against a sudden raid, but of little
use in the case of a strong attack. As a matter of fact, the Genoese
broke it down in 1380, sacked the city, and put all opponents to the
sword.
At the beginning of the fifteenth century Pola was surrounded by a
number of carefully built polygonal towers. There were eight gates with
machicolated defences above them, and the arms of fifteen rectors in
different places showed that the walls had been long in building. In
1610 the Uscocs sacked the city, entering through certain holes in the
walls, which, as Fra Paolo Sarpi relates, rendered the closing of the
great gates useless. The neglect of the Venetians in the matters of pay
and provision of war material in the seventeenth century reduced the
defences to a farce.
The laws of many of the cities prescribed penalties for crossing the
wall. Pola, 1442: "No person shall dare to pass over the walls of the
city of Pola in any manner, neither going nor returning, neither with
nor without a ladder, and neither shall they enter nor leave the gates
of the city, neither below nor above, under penalty of 50 lire di
piccoli and three months in prison." The inhabitants of walled places
had little liberty. Besides the duty of guarding the gates, a citizen
could neither enter nor leave except between certain fixed hours; if he
reached the opposite side of the ditch after the evening bell he found
the drawbridge raised, and had to seek a bed outside, or climb the wall,
in which case he ran the risk of being surprised and punished.
The communal museum contains many very interesting things belonging to
different periods of Polese history. Here are some very ancient stones
with Mycenean whorls cut upon Istrian material, perhaps
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