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a enemi; Puuwai hao-kila, he manao paa; Na ka nupepa la i hoike mai. Ua kau Lanakila i ka hanohano, O ka u'i mapela la o Aina-hau; 10 O ko'u hoa ia la e pili ai-- I hoa kaaua i ka puuwai, I na kohi kelekele i ka Pu'ukolu. Ina ilaila Pua Komela, Ka u'i kaulana o Aina-pua! 15 O ka pua o ka Lehua me ka Ilima I lei kahiko no ko'u kino, Ka Palai lau-lii me ka Maile, Ke ala e hoene i kou poli. [Page 253] [Translation] _Song_ Fame trumpets your conquests each day, Brave Lily Victoria! Your scepter finds new hearts to sway, Subdues the Pacific's wild waves, 5 Your foes are left stranded ashore, Firm heart as of steel! Dame Rumor tells us with glee Your fortunes wax evermore, Beauty of Aina-hau, 10 Comrade dear to my heart. And what of the hyacinth maid, Nymph of the Flowery Land? I choose the lehua, ilima, As my wreath and emblem of love, 15 The small-leafed fern and the maile-- What fragrance exhales from thy breast! The story that might explain this modern lyric belongs to the gossip of half a century ago. The action hinges about one who is styled Pua Lanakila--literally Flower of Victory. Now there is no flower, indigenous or imported, known by this name to the Hawaiians. It is an allegorical invention of the poet. A study of the name and of its interpretation, Victory, at once suggested to me the probability that it was meant for the Princess Victoria Kamamalu. As I interpret the story, the lover seems at first to be in a condition of unstable equilibrium, but finally concludes to cleave to the flowers of the soil, the _lehua_ and the _ilima_ (verse 15), the _palai_ and the _maile_ (verse 17), the meaning of which is clear. [Page 254] XL.--THE OLI The Hawaiian word _mele_ included all forms of poetical
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