usions we must bear in mind
that the Hawaiian did not approach song merely for its own
sake; the song did not sing of itself. First in order came
the poem, then the rhythm of song keeping time to the rhythm
of the poetry. The Hawaiian sang not from a mere bubbling up
of indefinable emotion, but because he had something to say
for which he could find no other adequate form of expression.
The Hawaiian boy, as he walks the woods, never whistles to
keep his courage up. When he paces the dim aisles of
Kaliuwa'a, he sets up an altar and heaps on it a sacrifice of
fruit and flowers and green leaves, but he keeps as silent as
a mouse.
During his performance Kualii cantillated his song while
handling a round wooden tray in place of a drum; his wife
meanwhile performed the dance. This she did very gracefully
and in perfect time. In marking the accent the left foot was,
if anything, the favorite, yet each foot in general took two
measures; that is, the left marked the down-beat in measures
1 and 2, 5 and 6, and so on, while the right, in turn, marked
the rhythmic accent that comes with the down-beat in measures
3 and 4, 7 and 8, and so on. During the four steps taken by
the left foot, covering the time of two measures, the body
was gracefully poised on the other foot. Then a shift was
made, the position was reversed, and during two measures the
emphasis came on the right foot.
The motions of the hands, arms, and of the whole body,
including the pelvis--which has its own peculiar orbital and
sidelong swing--were in perfect sympathy one part with
another. The movements were so fascinating that one was at
first almost hypnotized and disqualified for criticism and
analytic judgment. Not to derogate from the propriety and
modesty of the woman's motions, under the influence of her
Delsartian grace one gained new appreciation of "the charm of
woven paces and of waving hands."
Throughout the whole performance of Kualii and his wife
Abi-gaila it was noticed that, while he was the reciter, she
took the part of the olapa (see p. 28) and performed t
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