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ir is octagonal, enclosed by an Ionic colonnade, and corresponds in shape with the dome above, which is double, one dome within another; the inner one is painted with frescoes by Vasari and Zacchero. From the pavement to the top of the cross it is 380 feet. The beautiful Campanile tower is encased with strips of differently coloured marbles, adorned with bas-reliefs and statues. It is 269 feet in height, being ascended by some 415 steps. The view from the top is very extensive. The adjacent Baptistery is on the site of the Temple of Mars. It is an octagonal building of the thirteenth century, and is chiefly remarkable for the beauty of Ghiberti's great bronze gates, representing scripture scenes. "Ghiberti left behind him wealth and children; But who would know to-day that he had lived If he had never made those gates of bronze In the old Baptistery--those gates of bronze Worthy to be the gates of Paradise? His wealth is scattered to the winds, his children Are long since dead; but those celestial gates Survive, and keep his name and memory green." There are also some very fine mosaics in the interior, but unfortunately the darkness prevents their being properly seen. The only way to see anything of them is to go into the darkest corner, shutting your eyes, and then, opening them, look up at the dome suddenly. All the children in the city are baptized here, the water being blessed by the bishop twice a year. There is much of ancient interest around this old Baptistery; indeed, in all places where the Romans have been, one cannot but feel the presence of a mighty nation. So also with the Greeks; they leave traces of a refined intellect behind them which centuries cannot entirely efface. CHAPTER XVIII. Santa Croce--San Lorenzo--_Day_ and _Night_--Picture-galleries--The Tribune--_Venus de' Medici_--Excursion to Fiesole--Ancient Amphitheatre --Aurora _Cafe_--Climate of Florence--Heavy hotel charges--Departure-- Bologna sausages--Venice. The church of Santa Croce--the Westminster Abbey of Italy--possesses great interest to every classical student and lover of art and genius. It is situated within a few minutes' walk of the Cathedral in its own piazza, in the centre of which stands the striking monument and statue of the intensely thoughtful Dante, by Canova: "In Santa Croce's holy precincts lie Ashes which make it holier, dust w
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