earer to the desire of a man's heart. In a way More
has less invention than some of his subtler followers, but his book is
interesting because it is the first example of a kind of writing which
has been attractive to many men since his time, and particularly to
writers of our own day.

There remains one circumstance in the revival of the classics which had
a marked and continuous influence on the literary age that followed. To
get the classics English scholars had as we have seen to go to Italy.
Cheke went there and so did Wilson, and the path of travel across France
and through Lombardy to Florence and Rome was worn hard by the feet of
their followers for over a hundred years after. On the heels of the men
of learning went the men of fashion, eager to learn and copy the new
manners of a society whose moral teacher was Machiavelli, and whose
patterns of splendour were the courts of Florence and Ferrara, and to
learn the trick of verse that in the hands of Petrarch and his followers
had fashioned the sonnet and other new lyric forms. This could not be
without its influence on the manners of the nation, and the scholars who
had been the first to show the way were the first to deplore the
pell-mell assimilation of Italian manners and vices, which was the
unintended result of the inroad on insularity which had already begun.
They saw the danger ahead, and they laboured to meet it as it came.
Ascham in his _Schoolmaster_ railed against the translation of Italian
books, and the corrupt manners of living and false ideas which they
seemed to him to breed. The Italianate Englishman became the chief part
of the stock-in-trade of the satirists and moralists of the day. Stubbs,
a Puritan chronicler, whose book _The Anatomy of Abuses_ is a valuable
aid to the study of Tudor social history, and Harrison, whose
description of England prefaces Holinshed's Chronicles, both deal in
detail with the Italian menace, and condemn in good set terms the
costliness in dress and the looseness in morals which they laid to its
charge. Indeed, the effect on England was profound, and it lasted for
more than two generations. The romantic traveller, Coryat, writing well
within the seventeenth century in praise of the luxuries of Italy (among
which he numbers forks for table use), is as enthusiastic as the authors
who began the imitation of Italian metres in Tottel's _Miscellany_, and
Donne and Hall in their satires written under James wield the rod of