. Simplicity
indeed would have been for him an affectation; his elaborateness is not
like that of his followers, constructed painfully in a vicious desire to
compass the unexpected, but the natural overflow of an amazingly fertile
and ingenious mind. The curiosity, the desire for truth, the search
after minute and detailed knowledge of his age is all in his verse. He
bears the spirit of his time not less markedly than Bacon does, or
Newton, or Descartes.
[Footnote 2: Prof. Grierson in _Cambridge History of English
Literature_.]
The work of the followers of Donne and Jonson leads straight to the new
school, Jonson's by giving that school a model on which to work, Donne's
by producing an era of extravagance and absurdity which made a literary
revolution imperative. The school of Donne--the "fantastics" as they
have been called (Dr. Johnson called them the metaphysical poets),
produced in Herbert and Vaughan, our two noblest writers of religious
verse, the flower of a mode of writing which ended in the somewhat
exotic religiousness of Crashaw. In the hands of Cowley the use of
far-sought and intricate imagery became a trick, and the fantastic
school, the soul of sincerity gone out of it, died when he died. To the
followers of Jonson we owe that delightful and simple lyric poetry which
fills our anthologies, their courtly lyricism receiving a new impulse in
the intenser loyalty of troubled times. The most finished of them is
perhaps Carew; the best, because of the freshness and varity of his
subject-matter and his easy grace, Herrick. At the end of them came
Waller and gave to the five-accented rhymed verse (the heroic couplet)
that trick of regularity and balance which gave us the classical school.
(3)
The prose literature of the seventeenth century is extraordinarily rich
and varied, and a study of it would cover a wide field of human
knowledge. The new and unsuspected harmonies discovered by the
Elizabethans were applied indeed to all the tasks of which prose is
capable, from telling stories to setting down the results of speculation
which was revolutionizing science and philosophy. For the first time
the vernacular and not Latin became the language of scientific research,
and though Bacon in his _Novum Organum_ adhered to the older mode its
disappearance was rapid. English was proving itself too flexible an
instrument for conveying ideas to be longer neglected. It was applied
too to preaching of a more formal
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