.

In the month of August the Royal Academy had an exhibition at the Louvre,
and as there was not a single battle piece I conceived the idea of
summoning my brother to Paris. He was then in Venice, and he had great
talent in that particular style. Passorelli, the only painter of battles
known in France, was dead, and I thought that Francois might succeed and
make a fortune. I therefore wrote to M. Grimani and to my brother; I
persuaded them both, but Francois did not come to Paris till the
beginning of the following year.

Louis XV., who was passionately fond of hunting, was in the habit of
spending six weeks every year at the Chateau of Fontainebleau. He always
returned to Versailles towards the middle of November. That trip cost
him, or rather cost France, five millions of francs. He always took with
him all that could contribute to the amusement of the foreign ambassadors
and of his numerous court. He was followed by the French and the Italian
comedians, and by the actors and actresses of the opera.

During those six weeks Fontainebleau was more brilliant than Versailles;
nevertheless, the artists attached to the theatres were so numerous that
the Opera, the French and Italian Comedies, remained open in Paris.

Baletti's father, who had recovered his health, was to go to
Fontainebleau with Silvia and all his family. They invited me to
accompany them, and to accept a lodging in a house hired by them.

It was a splendid opportunity; they were my friends, and I accepted, for
I could not have met with a better occasion to see the court and all the
foreign ministers. I presented myself to M. de Morosini, now Procurator
at St. Mark's, and then ambassador from the Republic to the French court.

The first night of the opera he gave me permission to accompany him; the
music was by Lulli. I had a seat in the pit precisely under the private
box of Madame de Pompadour, whom I did not know. During the first scene
the celebrated Le Maur gave a scream so shrill and so unexpected that I
thought she had gone mad. I burst into a genuine laugh, not supposing
that any one could possibly find fault with it. But a knight of the Order
of the Holy Ghost, who was near the Marquise de Pompadour, dryly asked me
what country I came from. I answered, in the same tone,

"From Venice."

"I have been there, and have laughed heartily at the recitative in your
operas."

"I believe you, sir, and I feel certain that no one ever thought of
obj