s sociable manners, but he spent
his life at home, seldom going out, and seeing hardly anyone because he
always had a pipe in his mouth and was surrounded by at least twenty
cats, with which he would amuse himself all day. He had an old
housekeeper, a cook, and a man-servant. His housekeeper had the
management of everything; she never allowed him to be in need of
anything, and she gave no account of his money, which she kept
altogether, because he never asked her to render any accounts. The
expression of Crebillon's face was that of the lion's or of the cat's,
which is the same thing. He was one of the royal censors, and he told me
that it was an amusement for him. His housekeeper was in the habit of
reading him the works brought for his examination, and she would stop
reading when she came to a passage which, in her opinion, deserved his
censure, but sometimes they were of a different opinion, and then their
discussions were truly amusing. I once heard the housekeeper send away an
author with these words:

"Come again next week; we have had no time to examine your manuscript."

During a whole year I paid M. Crebillon three visits every week, and from
him I learned all I know of the French language, but I found it
impossible to get rid of my Italian idioms. I remark that turn easily
enough when I meet with it in other people, but it flows naturally from
my pen without my being aware of it. I am satisfied that, whatever I may
do, I shall never be able to recognize it any more than I can find out in
what consists the bad Latin style so constantly alleged against Livy.

I composed a stanza of eight verses on some subject which I do not
recollect, and I gave it to Crebillon, asking him to correct it. He read
it attentively, and said to me,

"These eight verses are good and regular, the thought is fine and truly
poetical, the style is perfect, and yet the stanza is bad."

"How so?"

"I do not know. I cannot tell you what is wanting. Imagine that you see a
man handsome, well made, amiable, witty-in fact, perfect, according to
your most severe judgment. A woman comes in, sees him, looks at him, and
goes away telling you that the man does not please her. 'But what fault
do you find in him, madam?' 'None, only he does not please me.' You look
again at the man, you examine him a second time, and you find that, in
order to give him a heavenly voice, he has been deprived of that which
constitutes a man, and you are compelled