FREE BOOKS

Author's List




PREV.   NEXT  
|<   610   611   612   613   614   615   616   617   618   619   620   621   622   623   624   625   626   627   628   629   630   631   632   633   634  
635   636   637   638   639   640   641   642   643   644   645   646   647   648   649   650   651   652   653   654   655   656   657   658   659   >>   >|  
to acknowledge that a spontaneous feeling has stood the woman in good stead." It was by that comparison that Crebillon explained to me a thing almost inexplicable, for taste and feeling alone can account for a thing which is subject to no rule whatever. We spoke a great deal of Louis XIV., whom Crebillon had known well for fifteen years, and he related several very curious anecdotes which were generally unknown. Amongst other things he assured me that the Siamese ambassadors were cheats paid by Madame de Maintenon. He told us likewise that he had never finished his tragedy of Cromwell, because the king had told him one day not to wear out his pen on a scoundrel. Crebillon mentioned likewise his tragedy of Catilina, and he told me that, in his opinion, it was the most deficient of his works, but that he never would have consented, even to make a good tragedy, to represent Caesar as a young man, because he would in that case have made the public laugh, as they would do if Madea were to appear previous to her acquaintances with Jason. He praised the talent of Voltaire very highly, but he accused him of having stolen from him, Crebillon, the scene of the senate. He, however, rendered him full justice, saying that he was a true historian, and able to write history as well as tragedies, but that he unfortunately adulterated history by mixing with it such a number of light anecdotes and tales for the sake of rendering it more attractive. According to Crebillon, the Man with the Iron Mask was nothing but an idle tale, and he had been assured of it by Louis XIV. himself. On the day of my first meeting with Crebillon at Silvia's, 'Cenie', a play by Madame de Graffigny, was performed at the Italian Theatre, and I went away early in order to get a good seat in the pit. The ladies all covered with diamonds, who were taking possession of the private boxes, engrossed all my interest and all my attention. I wore a very fine suit, but my open ruffles and the buttons all along my coat shewed at once that I was a foreigner, for the fashion was not the same in Paris. I was gaping in the air and listlessly looking round, when a gentleman, splendidly dressed, and three times stouter than I, came up and enquired whether I was a foreigner. I answered affirmatively, and he politely asked me how I liked Paris. I praised Paris very warmly. But at that moment a very stout lady, brilliant with diamonds, entered the box near us. Her enor
PREV.   NEXT  
|<   610   611   612   613   614   615   616   617   618   619   620   621   622   623   624   625   626   627   628   629   630   631   632   633   634  
635   636   637   638   639   640   641   642   643   644   645   646   647   648   649   650   651   652   653   654   655   656   657   658   659   >>   >|  



Top keywords:

Crebillon

 
tragedy
 

assured

 

Madame

 
anecdotes
 

foreigner

 
diamonds
 

history

 

likewise

 

praised


feeling

 

Theatre

 

covered

 

engrossed

 

interest

 

attention

 

private

 
possession
 

Italian

 

taking


ladies
 

Graffigny

 
rendering
 
attractive
 

According

 

Silvia

 

meeting

 

performed

 
affirmatively
 

politely


answered

 
enquired
 

warmly

 

entered

 

brilliant

 

moment

 

stouter

 

shewed

 

spontaneous

 

fashion


ruffles

 

buttons

 

acknowledge

 

gentleman

 

splendidly

 
dressed
 

gaping

 
listlessly
 

account

 

subject