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be doubted, whether our complaints are not sometimes inconsiderate, and whether we do not imagine more evil than we feel. Of the ancients, enough remains to excite our emulation and direct our endeavours. Many of the works which time has left us, we know to have been these that were most esteemed, and which antiquity itself considered as models; so that, having the originals, we may without much regret lose the imitations. The obscurity which the want of contemporary writers often produces, only darkens single passages, and those commonly of slight importance. The general tendency of every piece may be known; and though that diligence deserves praise which leaves nothing unexamined, yet its miscarriages are not much to be lamented; for the most useful truths are always universal, and unconnected with accidents and customs. Such is the general conspiracy of human nature against contemporary merit, that, if we had inherited from antiquity enough to afford employment for the laborious, and amusement for the idle, I know not what room would have been left for modern genius or modern industry; almost every subject would have been pre-occupied, and every style would have been fixed by a precedent from which few would have ventured to depart. Every writer would have had a rival, whose superiority was already acknowledged, and to whose fame his work would, even before it was seen, be marked out for a sacrifice. We see how little the united experience of mankind hath been able to add to the heroick characters displayed by Homer, and how few incidents the fertile imagination of modern Italy has yet produced, which may not be found in the Iliad and Odyssey. It is likely, that if all the works of the Athenian philosophers had been extant, Malbranche and Locke would have been condemned to be silent readers of the ancient metaphysicians; and it is apparent, that, if the old writers had all remained, the Idler could not have written a disquisition on the loss[1]. [1] There was a weighty meaning in that fiction of the Stoics, of a grand periodic year, in which all events should be re-acted in the same mode and order as before. There is nothing new under the sun. Whatever is, or shall be, is only an imitation, or, at best, a re-production of something that has been. The moralist who speculates on the contingencies of human conduct can only divine the future from what has already been acted on the earth. The philosopher, leaning on
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