s to one or the other by endeavouring to prove that this more
beautiful form proceeds from a particular gradation of magnitude,
undulation of a curve, or direction of a line, or whatever other conceit
of his imagination he shall fix on as a criterion of form, he will be
continually contradicting himself, and find at last, that the great
Mother of Nature will not be subjected to such narrow rules. Among the
various reasons why we prefer one part of her works to another, the most
general, I believe, is habit and custom; custom makes, in a certain
sense, white black, and black white; it is custom alone determines our
preference of the colour of the Europeans to the Aethiopians; and they,
for the same reason, prefer their own colour to ours. I suppose nobody
will doubt, if one of their painters were to paint the goddess of
beauty, but that he would represent her black, with thick lips, flat
nose, and woolly hair; and, it seems to me, he would act very
unnaturally if he did not; for by what criterion will any one dispute
the propriety of his idea? We, indeed, say, that the form and colour of
the European is preferable to that of the Aethiopian; but I know of no
reason we have for it, but that we are more accustomed to it. It is
absurd to say, that beauty is possessed of attractive powers, which
irresistibly seize the corresponding mind with love and admiration,
since that argument is equally conclusive in favour of the white and the
black philosopher.

The black and white nations must, in respect of beauty, be considered as
of different kinds, at least a different species of the same kind; from
one of which to the other, as I observed, no inference can be drawn.

Novelty is said to be one of the causes of beauty: that novelty is a
very sufficient reason why we should admire, is not denied; but, because
it is uncommon, is it, therefore, beautiful? The beauty that is produced
by colour, as when we prefer one bird to another, though of the same
form, on account of its colour, has nothing to do with this argument,
which reaches only to form. I have here considered the word _beauty_ as
being properly applied to form alone. There is a necessity of fixing
this confined sense; for there can be no argument, if the sense of the
word is extended to every thing that is approved. A rose may as well be
said to be beautiful, because it has a fine smell, as a bird because of
its colour. When we apply the word _beauty_ we do not mean always