ice or esteem.

No. 76. SATURDAY, SEPTEMBER 29, 1759.

TO THE IDLER,

Sir,

I was much pleased with your ridicule of those shallow criticks, whose
judgment, though often right as far as it goes, yet reaches only to
inferior beauties, and who, unable to comprehend the whole, judge only
by parts, and from thence determine the merit of extensive works. But
there is another kind of critick still worse, who judges by narrow
rules, and those too often false, and which, though they should be true,
and founded on nature, will lead him but a very little way toward the
just estimation of the sublime beauties in works of genius; for whatever
part of an art can be executed or criticised by rules, that part is no
longer the work of genius, which implies excellence out of the reach of
rules. For my own part, I profess myself an Idler, and love to give my
judgment, such as it is, from my immediate perceptions, without much
fatigue of thinking; and I am of opinion that, if a man has not those
perceptions right, it will be vain for him to endeavour to supply their
place by rules, which may enable him to talk more learnedly, but not to
distinguish more acutely. Another reason which has lessened my affection
for the study of criticism is, that criticks, so far as I have observed,
debar themselves from receiving any pleasure from the polite arts, at
the same time, that they profess to love and admire them: for these
rules, being always uppermost, give them such a propensity to criticise,
that, instead of giving up the reins of their imagination into their
author's hands, their frigid minds are employed in examining whether the
performance be according to the rules of art.

To those who are resolved to be criticks in spite of nature, and, at the
same time, have no great disposition to much reading and study, I would
recommend to them to assume the character of connoisseur, which may be
purchased at a much cheaper rate than that of a critick in poetry. The
remembrance of a few names of painters, with their general characters,
with a few rules of the academy, which they may pick up among the
painters, will go a great way towards making a very notable connoisseur.

With a gentleman of this cast, I visited last week the Cartoons at
Hampton-court; he was just returned from Italy, a connoisseur of course,
and of course his mouth full of nothing but the grace of Raffaelle, the
purity of Domenichino, the learning of Poussin, the air of