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d appended to the introductory critical notices of each volume of the English translation edited by Saintsbury (London, 1895-1898), which also contains a short Memoir and general criticism. Before the _Edition definitive_ (1869 onwards), the works had been issued during the author's life in various forms and instalments, the earliest _Comedie humaine_ being of 1842 to 1846 in sixteen volumes. For many years, however, the edition best known was that referred to in Browning as "all Balzac's novels fifty volumes long," really fifty-five small and closely printed 24mos kept stereotyped with varying dates by Michel (Calmann) Levy, which did not contain the miscellaneous works and was not arranged according to the author's last disposition, but did include the _Oeuvres de jeunesse_. These were not reprinted in the _Edition definitive_, but this gives the miscellaneous works in four volumes, an invaluable volume of correspondence, and the _Histoire des oeuvres_ as cited. To this was added, in 1893, another volume, _Repertoire des oeuvres de Balzac_, in which the history of the various personages of the _Comedie_ is tracked throughout and ranged under separate articles by MM. Cerfbeer and Christophe with extraordinary pains, and with a result of usefulness which should have protected it from some critical sneers. In 1899 appeared, as the first volume of _Oeuvres posthumes_, an instalment of the _Lettres a l'etrangere_, and in 1906 a second (up to 1844) with a portrait of Madame Hanska, and other illustrations. Works on Balzac are very numerous, and some of them are of much importance. Sainte-Beuve and Balzac fell out, and a furious diatribe by the novelist on the critic is preserved; but the latter's postmortem examination in _Causeries du lundi_, vol. ii., is not unfair, though it could hardly be cordial. Gautier, who was a very intimate and trusty friend of Balzac, has left an excellent study, mainly personal, reprinted in his _Portraits contemporains_. Lamartine produced a volume, not of much value, on Balzac in 1866; and minor contemporaries--Gozlan, Lemer, Champfleury--supplied something. But the series of important studies of Balzac, based on the whole of his work and not biased by friendship or enmity, begins with Taine's Essay of 1858, reprinted in volume form, 1865. Even then the _Oeuvres diverses_ were accessible only by immense labour in the scattered originals, and the invaluable _Correspondance_ not at all. It was
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