prised also an improvisation on the orgue expressif (harmonium) by
Madame de la Hye, a grand-niece of J.J. Rousseau's. Liszt and Chopin
opened the matinee with a performance of Moscheles' "Grand duo a quatre
mains," of which the reporter of the "Gazette musicale" writes as
follows:--
We consider it superfluous to say that this piece, one of the
masterworks of the composer, was executed with a rare
perfection of talent by the two greatest pianoforte-virtuosos
of our epoch. Brilliancy of execution combined with perfect
delicacy, sustained elevation, and the contrast of the most
spirited vivacity and calmest serenity, of the most graceful
lightness and gravest seriousness--the clever blending of all
the nuances can only be expected from two artists of the same
eminence and equally endowed with deep artistic feeling. The
most enthusiastic applause showed MM. Liszt and Chopin better
than we can do by our words how much they charmed the
audience, which they electrified a second time by a Duo for
two pianos composed by Liszt.
This work of Liszt's was no doubt the Duo for two pianos on a theme of
Mendelssohn's which, according to Miss Ramann, was composed in 1834 but
never published, and is now lost.
The "Menestrel" of March 22, 1835, contains a report of a concert at
Pleyel's rooms, without, however, mentioning the concert-giver, who was
probably the proprietor himself:--
The last concert at Pleyel's rooms was very brilliant. Men of
fashion, litterateurs, and artists had given each other
rendez-vous there to hear our musical celebrities--MM. Herz,
Chopin, Osborne, Hiller, Reicha, Mesdames Camille Lambert and
Leroy, and M. Hamati [read Stamati], a young pianist who had
not yet made a public appearance in our salons. These artists
performed various pieces which won the approval of all.
And now mark the dying fall of this vague report: "Kalkbrenner's
Variations on the cavatina 'Di tanti palpiti' were especially
applauded."
We come now to the so much talked-of concert at the Italian Opera, which
became so fateful in Chopin's career as a virtuoso. It is generally
spoken of as a concert given by Chopin, and Karasowski says it took
place in February, 1834. I have, however, been unable to find any trace
of a concert given by Chopin in 1834. On the other hand, Chopin played
on April 5, 1835, at a concert which in all particulars except that of
date answers to th
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