FREE BOOKS

Author's List




PREV.   NEXT  
|<   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285  
286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   >>   >|  
prised also an improvisation on the orgue expressif (harmonium) by Madame de la Hye, a grand-niece of J.J. Rousseau's. Liszt and Chopin opened the matinee with a performance of Moscheles' "Grand duo a quatre mains," of which the reporter of the "Gazette musicale" writes as follows:-- We consider it superfluous to say that this piece, one of the masterworks of the composer, was executed with a rare perfection of talent by the two greatest pianoforte-virtuosos of our epoch. Brilliancy of execution combined with perfect delicacy, sustained elevation, and the contrast of the most spirited vivacity and calmest serenity, of the most graceful lightness and gravest seriousness--the clever blending of all the nuances can only be expected from two artists of the same eminence and equally endowed with deep artistic feeling. The most enthusiastic applause showed MM. Liszt and Chopin better than we can do by our words how much they charmed the audience, which they electrified a second time by a Duo for two pianos composed by Liszt. This work of Liszt's was no doubt the Duo for two pianos on a theme of Mendelssohn's which, according to Miss Ramann, was composed in 1834 but never published, and is now lost. The "Menestrel" of March 22, 1835, contains a report of a concert at Pleyel's rooms, without, however, mentioning the concert-giver, who was probably the proprietor himself:-- The last concert at Pleyel's rooms was very brilliant. Men of fashion, litterateurs, and artists had given each other rendez-vous there to hear our musical celebrities--MM. Herz, Chopin, Osborne, Hiller, Reicha, Mesdames Camille Lambert and Leroy, and M. Hamati [read Stamati], a young pianist who had not yet made a public appearance in our salons. These artists performed various pieces which won the approval of all. And now mark the dying fall of this vague report: "Kalkbrenner's Variations on the cavatina 'Di tanti palpiti' were especially applauded." We come now to the so much talked-of concert at the Italian Opera, which became so fateful in Chopin's career as a virtuoso. It is generally spoken of as a concert given by Chopin, and Karasowski says it took place in February, 1834. I have, however, been unable to find any trace of a concert given by Chopin in 1834. On the other hand, Chopin played on April 5, 1835, at a concert which in all particulars except that of date answers to th
PREV.   NEXT  
|<   261   262   263   264   265   266   267   268   269   270   271   272   273   274   275   276   277   278   279   280   281   282   283   284   285  
286   287   288   289   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   >>   >|  



Top keywords:

Chopin

 

concert

 

artists

 
report
 
Pleyel
 

pianos

 
composed
 

Hiller

 

Osborne

 

Mesdames


Reicha
 

Stamati

 

pianist

 

Hamati

 

Lambert

 
Camille
 

litterateurs

 

proprietor

 

mentioning

 
brilliant

musical

 
rendez
 

fashion

 

celebrities

 

February

 

Karasowski

 

spoken

 
career
 

fateful

 

virtuoso


generally

 

unable

 

particulars

 

answers

 

played

 

pieces

 

approval

 

performed

 

public

 

appearance


salons

 

applauded

 

talked

 

Italian

 

palpiti

 

Variations

 
Kalkbrenner
 

cavatina

 

composer

 

masterworks