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man of war and the chase, like all savages, the Zuni has chosen above all other animals those which supply him with food and useful material, together with the animals which prey on them, giving preference to the latter. Hence, while the name of the former class is applied preferably as a _general_ term to all animals and animal gods, as previously explained, the name of the latter is used with equal preference as a term for all fetiches (We-ma-we), whether of the prey animals themselves or of other animals and beings. Of course it is equally natural, since they are connected with man both in the scale of being and in the power to supply his physical wants more nearly than are the higher gods, that the animals or animal gods should greatly outnumber and even give character to all others. We find that the Fetiches of the Zunis relate mostly to the animal gods, and principally to the prey gods. ORIGIN OF ZUNI FETICHISM. This fetichism seems to have arisen from the relationships heretofore alluded to, and to be founded on the myths which have been invented to account for those relationships. It is therefore not surprising that those fetiches most valued by the Zunis should be either natural concretions (Plate I, Fig. 6), or objects in which the evident original resemblance to animals has been only heightened by artificial means (Plate IV, Fig. 7; Plate V, Fig. 4; Plate VI, Figs. 3,6, 8; Plate VIII, Figs. 1, 3, 4, 5; Plate IX, Fig. 1). Another highly prized class of fetiches are, on the contrary, those which are elaborately carved, but show evidence, in their polish and dark patina, of great antiquity. They are either such as have been found by the Zunis about pueblos formerly inhabited by their ancestors or are tribal possessions which have been handed down from generation to generation, until their makers, and even the fact that they were made by any member of the tribe, have been forgotten. It is supposed by the priests (A-shi-wa-ni) of Zuni that not only these, but all true fetiches, are either actual petrifactions of the animals they represent, or were such originally. Upon this supposition is founded the following tradition, taken, as are others to follow, from a remarkable mythologic epic, which I have entitled the Zuni Iliad. [Illustration: PREY GOD FETICHES.] THE ZUNI ILIAD. Although oral, this epic is of great length, metrical, rythmical even in parts, and filled with archaic expressions nowhere t
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