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(see Panzer, op. cit., p. 35), but there the hero performs it while out at service. By the process of contamination these two incidents (B1C1) have worked their way into another Filipino story not of our cycle,--the Visayan story of "Juan the Student" (see JAFL 19 : 104). B2 Of the other methods of putting an end to the hero's life, the "well" episode is the most common. In d and h father and son go to dig a well. When it is several metres deep, the father rains stones on the boy, who is working at the bottom, and leaves him for dead. In g the hero is sent down a well to find a lost ring; and while he is there, stones and rocks are thrown on him by his treacherous uncle. In all three the hero escapes, wiser, but none the worse, for his adventure (C3). This incident is very common in European members of the cycle. Bolte and Polivka (2 : 288-292) note its occurrence in twenty-five different stories. B3 In our story of "Carancal," as has been remarked, and in e, the father commands his son to dive into deep water to see if the fishing-net is intact. Seeing blood and foam appear on the surface of the water, the father goes home, confident that he is rid of his son at last; but not long afterward, when the parents are eating, the hero appears, carrying on his shoulder a huge crocodile he has killed (C2). Analogous to this exploit is Sandapal's capture of the king of the fishes, after his father has faithlessly pushed him overboard into the deep sea (c). The hero's fight under water with a monstrous fish or crocodile, the blood and foam telling the story of a desperate struggle going on, reminds one strongly of Beowulf's fight with Grendel's dam. B4 In c, as a last resort, the father takes his son to the king, and has the best royal warrior fight the small boy. Sandapal conquers in five minutes. In f the father persuades his son to enter a wrestling-match held by the king. Juan easily throws all his opponents. With this incident compare the Middle-English "Tale of Gamelyn" (ll. 183-270) and Shakespeare's "As You Like It" (act i, sc. ii). B5 In a the father, at the instigation of his wife, pushes large rocks from a cliff down upon his son by the seashore; but the son returns home later, rolling an immense bowlder that threatens to crush the house. D, D1 Satisfied that he is no longer wanted at home, the hero sets out on adventures (a, g, h), taking along with him as a weapon a bolo five yards long (3), or a mighty b
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