(see Panzer, op. cit., p. 35), but there the hero performs it while
out at service. By the process of contamination these two incidents
(B1C1) have worked their way into another Filipino story not of our
cycle,--the Visayan story of "Juan the Student" (see JAFL 19 : 104).
B2 Of the other methods of putting an end to the hero's life, the
"well" episode is the most common. In d and h father and son go
to dig a well. When it is several metres deep, the father rains
stones on the boy, who is working at the bottom, and leaves him
for dead. In g the hero is sent down a well to find a lost ring;
and while he is there, stones and rocks are thrown on him by his
treacherous uncle. In all three the hero escapes, wiser, but none
the worse, for his adventure (C3). This incident is very common in
European members of the cycle. Bolte and Polivka (2 : 288-292) note
its occurrence in twenty-five different stories.
B3 In our story of "Carancal," as has been remarked, and in e,
the father commands his son to dive into deep water to see if the
fishing-net is intact. Seeing blood and foam appear on the surface
of the water, the father goes home, confident that he is rid of his
son at last; but not long afterward, when the parents are eating, the
hero appears, carrying on his shoulder a huge crocodile he has killed
(C2). Analogous to this exploit is Sandapal's capture of the king of
the fishes, after his father has faithlessly pushed him overboard into
the deep sea (c). The hero's fight under water with a monstrous fish or
crocodile, the blood and foam telling the story of a desperate struggle
going on, reminds one strongly of Beowulf's fight with Grendel's dam.
B4 In c, as a last resort, the father takes his son to the king,
and has the best royal warrior fight the small boy. Sandapal
conquers in five minutes. In f the father persuades his son to
enter a wrestling-match held by the king. Juan easily throws all his
opponents. With this incident compare the Middle-English "Tale of
Gamelyn" (ll. 183-270) and Shakespeare's "As You Like It" (act i,
sc. ii).
B5 In a the father, at the instigation of his wife, pushes large
rocks from a cliff down upon his son by the seashore; but the son
returns home later, rolling an immense bowlder that threatens to
crush the house.
D, D1 Satisfied that he is no longer wanted at home, the hero sets
out on adventures (a, g, h), taking along with him as a weapon a bolo
five yards long (3), or a mighty b
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