not come here any more."

The next night Bulag and Cuba dug in the ground near the barn. There
they found many gold and silver pieces. When they were dividing the
riches, Cuba kept three-fourths of the treasure for himself. Bulag
said, "Let me see if you have divided fairly," and, placing his hands
on the two piles, he found that Cuba's was much larger.

Angry at the discovery, Cuba struck Bulag in the eyes, and they
were opened. When Bulag could see, he kicked Cuba in the back, and
straightway his deformity disappeared. Therefore they became friends
again, divided the money equally, and owned the big house between them.

Notes.

A Pampango version, "The Cripple and the Blind Man" (I have it only
in abstract), is almost identical with the second part of "The Four
Blind Brothers." A blind man and a cripple travel together, blind
man carrying, cripple guiding. Rope, drum, hatchet, etc. But these
two companions do not quarrel over the distribution of the wealth:
they live peacefully together.

I have printed in full five of the versions, because, while they
are members of a very widespread family of tales in which a poor but
valiant hero deceives and outwits a giant, ogre, ghost, or band of
robbers, they form a more restricted brotherhood of that large family,
and the deception is of a very definite special sort. The hero and the
outwitted do not meet face to face, nor is there a contest of prowess
between them. Merely by displaying as tokens of his size and strength
certain seemingly useless articles which he has picked up and carried
along with him on his travels, the hero frightens forever from their
rich home a band of robbers or a giant or a ghost, and remains in
possession of the treasures of the deceived one.

Trolls, ogres, giants, robbers, dragons, are proverbially stupid,
and a clever hero with more wits than brawn has no difficulty in
thoroughly frightening them. Grimm's story of "The Brave Little Tailor"
(No. 20), with its incidents of "cheese-squeezing," "bird-throwing,"
"pretended carrying of the oak-tree," "springing over the cherry-tree,"
and "escape from the bed," and opening with the "seven-at-a-blow"
episode, is typical of one large group of tales about a giant
outwitted. (For an enumeration of the analogues, see Bolte-Polivka,
1 : 148-165; for a fuller discussion of some of them, see Cosquin,
1 : 96-102.) In another group the hero takes service with the giant,
dragon, etc., keeps up the decepti