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' warm me, yet in this cold climate nobody wears red to comfort one's eye save soldiers and fox hunters, and old women fresh from a Parish Christmas Distribution of cloaks. To dress in floating loose crimson silk, I almost understand being a Cardinal! Do you know anything of Nat Lee's Tragedies? In one of them a man angry with a Cardinal cries-- Stand back, and let me mow this poppy down, This rank red weed that spoils the Churches' corn. Is not that good? and presently, when the same worthy is poisoned (that is the Cardinal)--they bid him--'now, Cardinal, lie down and roar!' Think of thy scarlet sins! Of the justice of all which, you will judge with no Mrs. Jameson for guide when we see the Sistina together, I trust! By the way, yesterday I went to Dulwich to see some pictures, by old Teniers, Murillo, Gainsborough, Raphael!--then twenty names about, and last but one, as if just thought of, 'Correggio.' The whole collection, including 'a _divine_ picture by Murillo,' and Titian's Daughter (hitherto supposed to be in the Louvre)--the whole I would, I think, have cheerfully given a pound or two for the privilege of not possessing--so execrable as sign-paintings even! 'Are there worse poets in their way than painters?' Yet the melancholy business is here--that the bad poet goes out of his way, writes his verses in the language he learned in order to do a hundred other things with it, all of which he can go on and do afterwards--but the painter has spent the best of his life in learning even how to produce such monstrosities as these, and to what other good do his acquisitions go? This short minute of life our one chance, an eternity on either side! and a man does not walk whistling and ruddy by the side of hawthorn hedges in spring, but shuts himself up and conies out after a dozen years with 'Titian's Daughter' and, there, gone is his life, let somebody else try! I have tried--my trial is made too! To-morrow you shall tell me, dearest, that Mrs. Jameson wondered to see you so well--did she not wonder? Ah, to-morrow! There is a lesson from all this writing and mistaking and correcting and being corrected; and what, but that a word goes safely only from lip to lip, dearest? See how the cup slipped from the lip and snapped the chrystals, you say! But the writing is but for a time--'a time and times and half a time!'--would I knew when the prophetic weeks end! Still, one day, as I say, no more writi
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