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" was not original, though Lord John's application of it was. Its inventor seems to have been Lady Townshend, the brilliant mother of Charles Townshend, the elder Pitt's Chancellor of the Exchequer. When she was asked if George Whitefield, the evangelical preacher, had yet recanted, she replied: "No, he has only been canting."] It may be profitable to consider how patriotism, which is singularly liable to distortion and perversion, presented itself to the mind of Shakespeare, the clearest-headed student of human thought and sentiment. II In Shakespeare's universal survey of human nature it was impossible that he should leave patriotism and the patriotic instinct out of account. It was inevitable that prevalent phases of both should frequently occupy his attention. In his role of dramatist he naturally dealt with the topic incidentally or disconnectedly rather than in the way of definite exposition; but in the result, his treatment will probably be found to be more exhaustive than that of any other English writer. The Shakespearean drama is peculiarly fertile in illustration of the virtuous or beneficent working of the patriotic instinct; but it does not neglect the malevolent or morbid symptoms incident either to its exorbitant or to its defective growth; nor is it wanting in suggestions as to how its healthy development may be best ensured. Part of Shakespeare's message on the subject is so well known that readers may need an apology for reference to it; but Shakespeare's declarations have not, as far as I know, been co-ordinated.[34] [Footnote 34: In passing cursorily over the whole field I must ask pardon for dwelling occasionally on ground that is in detached detail sufficiently well trodden, as well as for neglecting some points which require more thorough exploration than is practicable within my present limits.] Broadly speaking, the Shakespearean drama enforces the principle that an active instinct of patriotism promotes righteous conduct. This principle lies at the root of Shakespeare's treatment of history and political action, both English and Roman. Normal manifestations of the instinct in Shakespeare's world shed a gracious light on life. But it is seen to work in many ways. The patriotic instinct gives birth to various moods. It operates with some appearance of inconsistency. Now it acts as a spiritual sedative, now as a spiritual stimulant. Of all Shakespeare's characters, it is Bolingbro
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