and
the caricature which afterwards came from the Furniss was drawn entirely
from memory.
"The artist is in more evil case when he has absolutely no chance
whatever of making the slightest memorandum, for he must trust to memory
alone," remarked the Pencil.
"Yet Pellegrini boasted that he always trusted to memory," said the Pen.
"I know he did," replied the Pencil, "and more than once chaffed H. F.
for bringing me out. H. F., I know, has the greatest admiration for most
of Pellegrini's work, but thinks that 'Ape' certainly had the failing
common to all Italian caricaturists of being cruel rather than funny. I
may mention too, here, an incident for the truth of which H. F. can
vouch, and which illustrates another weakness of the inhabitants of the
Sunny South. When the poor fellow was ill a friend of his one day set to
work to put his room in order, and in moving a screen was surprised to
find behind it a number of soiled shirts. He began to count them over
with a view to sending them to the laundry, when Pellegrini starting up
exclaimed, 'You fellow! you leave my shirts there, or I am a ruined man.
Don't you see they are my "shtock in drade"?' And sure enough upon the
huge familiar linen cuffs were numerous notes in pencil--sketches, in
fact, from life for coming caricatures. Now, when H. F. intends to trust
entirely to memory, I often find that he makes a note in writing after
this fashion: 'Like So-and-so, with a difference,'--and the difference
is noted. Or 'Think of an animal, a bird, or a fish, and to that add
So-and-so, and subtract So-and-so,' and this results in a portrait. For
instance, if he saw a man like this, I should not be surprised by his
writing a single word as 'Penguin' for his guidance, and so on."
[Illustration: "PENGUIN."]
"The old caricaturists, I suppose, had a decided advantage over the
moderns in having artistic costumes to depict?" asked the Pen.
"Of course," replied the Pencil. "Even up to the time of Seymour the
tailor made the man, and was, therefore, largely responsible for the
caricature. You have only to see Mr. Brown in the ordinary attire of
to-day and also in Court dress to appreciate this, and sympathise with
me."
[Illustration: MR. BROWN, ORDINARY ATTIRE.]
[Illustration: COURT DRESS.]
"Now here is another point," continued the Pen, "upon which you can
throw some light, old fellow. I have often seen letters on the
writing-table from people asking H. F. for his rec
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