seen them, or if his
attention were called to any of them he would seem not to recognise the
likeness, and pass on till his eye lighted on some political ally still
numbered among the faithful, when he would at once pronounce the
portrait excellent, and dwell upon its merits with apparent delight. A
portrait of Mr. Labouchere, however, he generally failed to recognise.
The portrait represented the Member for Northampton in a contemplative
mood, certainly not characteristic of his habitual demeanour in the
House.
"I have found," said he, "the artist I have been looking for for years.
I have found an artist who can paint my portrait in four hours and a
half; he has painted three in thirteen hours; that is Millais."
I was much surprised by this curious criticism on portrait painting.
Surely, if the portrait of the great orator is to be painted in four
hours and a half, the same limitation, if carried out, would confine the
greatest speech ever made to a period of four-and-a-half seconds!
Someone pointedly asked Mr. Gladstone whether he liked Millais'
portraits.
"Well," he replied, evading any brutal directness of reply, "I have been
very much interested with his energy; he is the hardest-working man I
ever saw."
"Do you prefer his result to Holl's?"
"Ah, Holl took double the time, and put me in such a very strained
position, nearly on tiptoe. I know my heels were off the ground; it
tired me out, and I was really obliged to lie down and sleep
afterwards."
"You found Millais charming in conversation?"
"He never spoke when at work; his interest in his work fascinated me."
"Mr. Watts?"
"Ah, there is a delightful conversationalist, and a wonderful artist; he
has attempted my portrait often--three attempts of late years--but he
has not satisfied himself, and I am bound to say that my friends are of
the same mind."
"I well remember," remarked Lord Granville, who was one of the party,
"how uneasy poor Holl was before he painted your portrait. He came to me
and said, 'I think if you would speak to Mr. Gladstone on some subject
that would interest him, I would watch him, and that would aid me very
much.'"
In this picture of Mr. Gladstone the late Frank Holl failed to maintain
his reputation as an artist of the highest class: that picture of the
great Liberal leader was disappointing and altogether unworthy of his
name. This was the more unfortunate because, by the exercise of a little
forethought, the ar
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