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seen them, or if his attention were called to any of them he would seem not to recognise the likeness, and pass on till his eye lighted on some political ally still numbered among the faithful, when he would at once pronounce the portrait excellent, and dwell upon its merits with apparent delight. A portrait of Mr. Labouchere, however, he generally failed to recognise. The portrait represented the Member for Northampton in a contemplative mood, certainly not characteristic of his habitual demeanour in the House. "I have found," said he, "the artist I have been looking for for years. I have found an artist who can paint my portrait in four hours and a half; he has painted three in thirteen hours; that is Millais." I was much surprised by this curious criticism on portrait painting. Surely, if the portrait of the great orator is to be painted in four hours and a half, the same limitation, if carried out, would confine the greatest speech ever made to a period of four-and-a-half seconds! Someone pointedly asked Mr. Gladstone whether he liked Millais' portraits. "Well," he replied, evading any brutal directness of reply, "I have been very much interested with his energy; he is the hardest-working man I ever saw." "Do you prefer his result to Holl's?" "Ah, Holl took double the time, and put me in such a very strained position, nearly on tiptoe. I know my heels were off the ground; it tired me out, and I was really obliged to lie down and sleep afterwards." "You found Millais charming in conversation?" "He never spoke when at work; his interest in his work fascinated me." "Mr. Watts?" "Ah, there is a delightful conversationalist, and a wonderful artist; he has attempted my portrait often--three attempts of late years--but he has not satisfied himself, and I am bound to say that my friends are of the same mind." "I well remember," remarked Lord Granville, who was one of the party, "how uneasy poor Holl was before he painted your portrait. He came to me and said, 'I think if you would speak to Mr. Gladstone on some subject that would interest him, I would watch him, and that would aid me very much.'" In this picture of Mr. Gladstone the late Frank Holl failed to maintain his reputation as an artist of the highest class: that picture of the great Liberal leader was disappointing and altogether unworthy of his name. This was the more unfortunate because, by the exercise of a little forethought, the ar
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