reason, and has not seen him, a photograph is, of
course, the only means possible; then he generally gets a letter
something like this:
"'Dear Sir,--I enclose you a photograph of myself, the only one I
possess. It belongs to my wife, and she has reluctantly lent it, and
trusts you will take every care of it and return it at once. It was
taken on our wedding trip. I may mention that I have less hair at the
top of my head and more on my face, and I may seem to some a trifle
older.'
"Well, here, you see, H. F. has to use his judgment.
"But to my surprise H. F. received a visit from the original of the
photograph shortly after his sketch was published, who came to inform
the guv'nor that no one could possibly recognise him in the sketch; and
when I saw him in the flesh I quite believed him. You can judge from the
sketch how useful the photograph was.
"The second appearance of the new and ambitious M.P. in the pages of
_Punch_ did not satisfy the legislator either. It was not his face he
took exception to, but his boots, like Mr. Goldfinch in 'A Pair of
Spectacles.' He lost faith in his bootmaker, squeezed his extremities
into patent leather shoes of the most approved and uncomfortable make,
and hobbled through the Lobbies doing penance at the shrine of
caricature. A caricature, you see, does not depend upon the face alone.
"One of H. F.'s earliest Parliamentary caricatures was a sketch of Mr.
Henry Broadhurst, the deservedly popular representative of the working
classes. He was Member for Stoke when the sketch was made. There is no
affectation about him. Neither the skin that covers his solid frame nor
that which encases his active feet is thin. His figure is one of the
best known and most characteristic in Parliament. Who is not familiar
with the round, determined little head, with the short cropped hair, the
square-cut beard, the shrewd expression, the genial smile, the short
jacket, the horsey trousers, the round hat, and the thick boots? The
figure often appeared in Mr. Punch's Parliamentary Portrait Gallery.
When our friend the late William Woodall introduced his fellow-candidate
to the electors of Stoke a voice cried out, 'We know 'im! we know 'im!
We've seen 'is boots in _Punch!_'
"No one can deny that the potters of Staffordshire are an artistic
public.
"The late chief proprietor of the leading paper had the largest feet
ever seen in the House of Commons, and a certain noble lord whose na
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