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er with some boon companions in rather doubtful female society. In the middle of his drinking-song the palace is blown up. There is a loud crash; the stage grows dark; hall, supper-table, and revellers all disappear; and the curtain comes down slowly on moonlight shining over some ruins, and the open country beyond. A splendid climax! Again, the third act of Robert le Diable is magnificently dramatic. Bertram, the Evil One in person, leads Robert to a deserted convent whose nuns, having broken the most important of their vows, have all been put to death. The curtain goes up on the dim cloisters of the convent, the cloister-garth, visible through the Gothic arches of the arcade, bathed in bright moonlight beyond. Bertram begins his incantations, recalling the erring nuns from the dead. Very slowly the tombs in the cloister open, and dim grey figures, barely visible in the darkness, creep silently out from the graves. Bertram waves his arms over the cloister-garth, and there, too, the tombs gape apart, and more shadowy spectres emerge. Soon the stage is full of these faint grey spectral forms. Bertram lifts his arms. The wicked nuns throw off their grey wrappers, and appear glittering in scarlet and gold; the stage blazes with light, and the ballet, the famous "Pas de Fascination," begins. When really well done, this scene is tremendously impressive. I once heard in Paris, Levasseur, the French counterpart of our own Corney Grain, giving a skit on Robert le Diable, illustrating various stage conventions. Levasseur, seated at his piano, and keeping up an incessant ripple of melody, talked something like this, in French, of course:-- "The stage represents Isabelle's bedroom. As is usual with stage bedrooms, Isabelle's bower is about the size of an average cathedral. It is very sparsely furnished, but near the footlights is a large gilt couch, on which Isabelle is lying fast asleep. Robert enters on tip-toe very very gently, so as not to disturb his beloved, and sings in a voice that you could hear two miles off, 'Isa-belle!' dropping a full octave on the last note. Isabelle half awakes, and murmurs, 'I do believe I heard something. I feel so nervous!' Robert advances a yard, and sings again, if anything rather louder, 'Isa-belle!' Isabelle says: 'Really, my nerves do play me such tricks! I can't help fancying that there is some one in the room, and I am so terribly afraid of burglars. Perhaps it is only a mouse.' Robert
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