FREE BOOKS

Author's List




PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   >>  
he finest melodies, and open to you a glimpse of the character of the different nations. * * * * * Fail not to practise the reading of old clefs, otherwise many treasures of past times will remain a closed fountain to you. * * * * * Attend early to the tone and character of the various instruments; try to impress their peculiar sound on your ear. * * * * * Do not neglect to attend good Operas. * * * * * Highly esteem the Old, but take also a warm interest in the New. Be not prejudiced against names unknown to you. * * * * * Do not judge a composition from the first time of hearing; that which pleases you at the first moment, is not always the best. Masters need to be studied. Many things will not become clear to you till you have reached a more advanced age. * * * * * In judging of compositions, discriminate between works of real art and those merely calculated to amuse amateurs. Cherish those of the former description, and do not get angry with the others. * * * * * Melody is the battle-cry of amateurs, and certainly music without melody is nothing. Understand, however, what these persons mean by it: a simple, flowing and pleasing rhythmical tune; this is enough to satisfy them. There are, however, others of a different sort, and whenever you open Bach, Mozart, Beethoven, or any real master, their melodies meet you in a thousand different shapes. I trust you will soon be tired of the inferior melodies, especially those out of the new Italian operas; and of all vulgar ones. * * * * * If, while at the piano, you attempt to form little melodies, that is very well; but if they come into your mind of themselves, when you are not practising, you may be still more pleased; for the internal organ of music is then roused in you. The fingers must do what the head desires; not the contrary. * * * * * If you begin to compose, work it out in your head. Do not try a piece on your instrument, except when you have fully conceived it. If your music came from your heart and soul, and did you feel it yourself,--it will
PREV.   NEXT  
|<   6   7   8   9   10   11   12   13   14   15   16   17   18   19   20   21   22   >>  



Top keywords:
melodies
 
amateurs
 

character

 

shapes

 

thousand

 

persons

 

inferior

 

flowing

 

rhythmical

 
satisfy

pleasing
 

master

 

Mozart

 

Beethoven

 

simple

 
desires
 

contrary

 

compose

 
fingers
 

roused


instrument

 

conceived

 

internal

 

attempt

 
Understand
 

operas

 

vulgar

 

practising

 

pleased

 

Italian


attend
 
Operas
 
Highly
 

neglect

 

impress

 
peculiar
 

esteem

 

prejudiced

 

interest

 
instruments

practise

 
reading
 

nations

 

finest

 

glimpse

 
fountain
 
Attend
 
closed
 

remain

 
treasures