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as for us, with enduring charm; and especially without the songs of Burns, which keep alive in him the feeling that he is a man, which impart to his blunted sensibility the delicious throb of spring-songs that enable him to hear the birds, to see the bits of blue sky-songs that make him tender of the wee bit daisy at his feet--songs that hearten him when his heart is fit to break with misery. Perhaps the English peasant, the English operative, is less susceptible to such influences than the Scotch or the Irish; but over him, sordid as his conditions are, close kin as he is to the clod, the light of poetry is diffused; there filters into his life, also, something of that divine stream of which we have spoken, a dialect poem that touches him, the leaf of a psalm, some bit of imagination, some tale of pathos, set afloat by a poor writer so long ago that it has become the common stock of human tradition-maybe from Palestine, maybe from the Ganges, perhaps from Athens--some expression of real emotion, some creation, we say, that makes for him a world, vague and dimly apprehended, that is not at all the actual world in which he sins and suffers. The poor woman, in a hut with an earth floor, a reeking roof, a smoky chimney, barren of comfort, so indecent that a gentleman would not stable his horse in it, sits and sews upon a coarse garment, while she rocks the cradle of an infant about whom she cherishes no illusions that his lot will be other than that of his father before him. As she sits forlorn, it is not the wretched hovel that she sees, nor other hovels like it--rows of tenements of hopeless poverty, the ale-house, the gin-shop, the coal-pit, and the choking factory--but: "Sweet fields beyond the swelling flood Stand dressed in living green" for her, thanks to the poet. But, alas for the poet there is not a peasant nor a wretched operative of them all who will not shake his head and tap his forehead with his forefinger when the poor poet chap passes by. The peasant has the same opinion of him that the physician, the trainer, and the money-lender had of the rhetorician. The hard conditions of the lonely New England life, with its religious theories as sombre as its forests, its rigid notions of duty as difficult to make bloom into sweetness and beauty as the stony soil, would have been unendurable if they had not been touched with the ideal created by the poet. There was in creed and purpose the virilit
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