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of a three-volume translation of Boileau's works. This, however, is not the same translation as the one accompanying Harte's _Essay_; it is noticeably less fluent and lacks (as does the French) the subtitle "arraigning persons by name." The 1730 translation is faithful to the original, and the subtitle calls attention to the aptness of the _Discourse_ as a defense of Pope's satiric practice.[25] It is so apt, indeed, that one could almost suspect Pope himself of making the translation and submitting it to Harte or his publisher. Pope had already invoked Boileau's name and precedent in the letter from "William Cleland"; nothing could be more logical than for Pope to turn the esteemed Boileau's self-justification to his own ends. Cornell College NOTES TO THE INTRODUCTION [1] Robert W. Rogers, _The Major Satires of Alexander Pope_, Illinois Studies in Language and Literature, XL (Urbana, 1955), p. 140, dates the Essay January 7-14, 1731, N. S., on the evidence of _The Grub-Street Journal_; No. 484 of _The London Evening-Post_ (Saturday, January 9, to Tuesday, January 12, 1731) advertises its publication for the following day. [2] Rogers, p. 141. Thomas Park, _Supplement to the British Poets_ (London, 1809), VIII, 21-36; Alexander Chalmers, _The Works of the English Poets_ (London, 1810), XVI, 348-352; Robert Anderson, _A Complete Edition of the Poets of Great Britain_ (London, 1794), IX, 825-982 [_sic_]. [3] _Pope's "Dunciad": A Study of Its Meaning_ (Baton Rouge, 1955), p. 54n. [4] _The Correspondence of Alexander Pope_, ed. George Sherburn (Oxford, 1956), II, 430 n., 497. [5] George Puttenham, _The Arte of English Poesie_ (1589), in _Elizabethan Critical Essays_, ed. G. Gregory Smith (Oxford, 1904), II, 27. [6] Alvin Kernan, _The Cankered Muse: Satire of the English Renaissance_, Yale Studies in English, CXLII (New Haven, 1959), pp. 55, 58, 62; Oscar James Campbell, _Comicall Satyre and Shakespeare's "Troilus and Cressida"_ (San Marino, 1959), pp. 24-25, 27, 29-30. [7] _De Satyrica Graecorum Poesi, & Romanorum Satira Libri Duo_ (Paris, 1605). [8] J. F. D'Alton, _Roman Literary Theory and Criticism: A Study in Tendencies_ (London, New York, and Toronto, 1931), pp. 356, 414 and n.; George Converse Fiske, _Lucilius and Horace: A Study in the Classical Theory of Imitation_, University of Wisconsin Studies in Language and Literature, No. 7 (Madison, 1920), p. 443. [9] Bernard Weinberg, _A Hi
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