of a three-volume translation
of Boileau's works. This, however, is not the same translation as the
one accompanying Harte's _Essay_; it is noticeably less fluent and
lacks (as does the French) the subtitle "arraigning persons by name."
The 1730 translation is faithful to the original, and the subtitle
calls attention to the aptness of the _Discourse_ as a defense of
Pope's satiric practice.[25] It is so apt, indeed, that one could
almost suspect Pope himself of making the translation and submitting
it to Harte or his publisher. Pope had already invoked Boileau's name
and precedent in the letter from "William Cleland"; nothing could be
more logical than for Pope to turn the esteemed Boileau's
self-justification to his own ends.
Cornell College
NOTES TO THE INTRODUCTION
[1] Robert W. Rogers, _The Major Satires of Alexander Pope_, Illinois
Studies in Language and Literature, XL (Urbana, 1955), p. 140, dates
the Essay January 7-14, 1731, N. S., on the evidence of _The
Grub-Street Journal_; No. 484 of _The London Evening-Post_ (Saturday,
January 9, to Tuesday, January 12, 1731) advertises its publication
for the following day.
[2] Rogers, p. 141. Thomas Park, _Supplement to the British Poets_
(London, 1809), VIII, 21-36; Alexander Chalmers, _The Works of the
English Poets_ (London, 1810), XVI, 348-352; Robert Anderson, _A
Complete Edition of the Poets of Great Britain_ (London, 1794), IX,
825-982 [_sic_].
[3] _Pope's "Dunciad": A Study of Its Meaning_ (Baton Rouge, 1955), p.
54n.
[4] _The Correspondence of Alexander Pope_, ed. George Sherburn
(Oxford, 1956), II, 430 n., 497.
[5] George Puttenham, _The Arte of English Poesie_ (1589), in
_Elizabethan Critical Essays_, ed. G. Gregory Smith (Oxford, 1904),
II, 27.
[6] Alvin Kernan, _The Cankered Muse: Satire of the English
Renaissance_, Yale Studies in English, CXLII (New Haven, 1959), pp.
55, 58, 62; Oscar James Campbell, _Comicall Satyre and Shakespeare's
"Troilus and Cressida"_ (San Marino, 1959), pp. 24-25, 27, 29-30.
[7] _De Satyrica Graecorum Poesi, & Romanorum Satira Libri Duo_
(Paris, 1605).
[8] J. F. D'Alton, _Roman Literary Theory and Criticism: A Study in
Tendencies_ (London, New York, and Toronto, 1931), pp. 356, 414 and
n.; George Converse Fiske, _Lucilius and Horace: A Study in the
Classical Theory of Imitation_, University of Wisconsin Studies in
Language and Literature, No. 7 (Madison, 1920), p. 443.
[9] Bernard Weinberg, _A Hi
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