FREE BOOKS

Author's List




PREV.   NEXT  
|<   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191  
192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   >>   >|  
ah, in his Lectures on the History of Modern Music, 'the first Englishman to demonstrate the possibility of a national opera. No Englishman of the last century succeeded in following Purcell's lead into this domain of art; none, indeed, would seem to have understood in what his excellence consisted, or how his success was attained. His dramatic music exhibits the same qualities which had already made the success of Lulli. ... For some years after Purcell's death his compositions, of whatever kind, were the chief, if not the only, music heard in England. His reign might have lasted longer, but for the advent of a musician who, though not perhaps more highly gifted, had enjoyed immeasurably greater opportunities of cultivating his gifts,' Handel, who had also the advantage of being born thirty years later.] [Footnote 4: John Baptist Lulli, a Florentine, died in 1687, aged 53. In his youth he was an under-scullion in the kitchen of Madame de Montpensier, niece to Louis XIV. The discovery of his musical genius led to his becoming the King's Superintendent of Music, and one of the most influential composers that has ever lived. He composed the occasional music for Moliere's comedies, besides about twenty lyric tragedies; which succeeded beyond all others in France, not only because of his dramatic genius, which enabled him to give to the persons of these operas a musical language fitted to their characters and expressive of the situations in which they were placed; but also, says Mr. Hullah, because 'Lulli being the first modern composer who caught the French ear, was the means, to a great extent, of forming the modern French taste.' His operas kept the stage for more than a century.] [Footnote 5: that he] [Footnote 6: not] * * * * * No. 30. [1] Wednesday, April 4, 1711. Steele. 'Si, Mimnermus uti censet, sine amore Focisque Nil est Jucundum; vivas in amore Jocisque.' Hor. One common Calamity makes Men extremely affect each other, tho' they differ in every other Particular. The Passion of Love is the most general Concern among Men; and I am glad to hear by my last Advices from _Oxford_, that there are a Set of Sighers in that University, who have erected themselves into a Society in honour of that tender Passion. These Gentlemen are of that Sort of Inamoratos, who are not so ver
PREV.   NEXT  
|<   167   168   169   170   171   172   173   174   175   176   177   178   179   180   181   182   183   184   185   186   187   188   189   190   191  
192   193   194   195   196   197   198   199   200   201   202   203   204   205   206   207   208   209   210   211   212   213   214   215   216   >>   >|  



Top keywords:
Footnote
 

dramatic

 

genius

 
French
 
modern
 
Passion
 

operas

 

musical

 

century

 

succeeded


Purcell
 
success
 

Englishman

 

extent

 

forming

 

Mimnermus

 

censet

 

Modern

 

Steele

 

Wednesday


demonstrate
 

language

 

fitted

 
persons
 

France

 
possibility
 
enabled
 

characters

 

Hullah

 

composer


caught

 

expressive

 
situations
 
Oxford
 

Advices

 
Sighers
 

University

 

Gentlemen

 

Inamoratos

 

tender


erected

 

Society

 
honour
 

common

 
Calamity
 
History
 

Jocisque

 

Jucundum

 
extremely
 

affect