it does
not please you so well; for there is [scarce [6]] a _Frenchman_ who
would not wonder to hear you give the _Italian_ such a Preference. The
Musick of the _French_ is indeed very properly adapted to their
Pronunciation and Accent, as their whole Opera wonderfully favours the
Genius of such a gay airy People. The Chorus in which that Opera
abounds, gives the Parterre frequent Opportunities of joining in Consort
with the Stage. This Inclination of the Audience to Sing along with the
Actors, so prevails with them, that I have sometimes known the Performer
on the Stage do no more in a Celebrated Song, than the Clerk of a Parish
Church, who serves only to raise the Psalm, and is afterwards drown'd in
the Musick of the Congregation. Every Actor that comes on the Stage is a
Beau. The Queens and Heroines are so Painted, that they appear as Ruddy
and Cherry-cheek'd as Milk-maids. The Shepherds are all Embroider'd, and
acquit themselves in a Ball better than our _English_ Dancing Masters. I
have seen a couple of Rivers appear in red Stockings; and _Alpheus_,
instead of having his Head covered with Sedge and Bull-Rushes, making
Love in a fair full-bottomed Perriwig, and a Plume of Feathers; but with
a Voice so full of Shakes and Quavers that I should have thought the
Murmurs of a Country Brook the much more agreeable Musick.
I remember the last Opera I saw in that merry Nation was the Rape of
_Proserpine_, where _Pluto_, to make the more tempting Figure, puts
himself in a _French_ Equipage, and brings _Ascalaphus_ along with him
as his _Valet de Chambre_. This is what we call Folly and Impertinence;
but what the _French_ look upon as Gay and Polite.
I shall add no more to what I have here offer'd, than that Musick,
Architecture, and Painting, as well as Poetry, and Oratory, are to
deduce their Laws and Rules from the general Sense and Taste of Mankind,
and not from the Principles of those Arts themselves; or, in other
Words, the Taste is not to conform to the Art, but the Art to the Taste.
Music is not design'd to please only Chromatick Ears, but all that are
capable ef distinguishing harsh from disagreeable Notes. A Man of an
ordinary Ear is a Judge whether a Passion is express'd in proper Sounds,
and whether the Melody of those Sounds be more or less pleasing. [7]
C.
[Footnote 1: that]
[Footnote 2: only asking]
[Footnote 3: Henry Purcell died of consumption in 1695, aged 37.
'He was,' says Mr. Hull
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