ead, than to the sole of his Foot. One would believe,
that we thought a great Man and a tall Man the same thing. This very
much embarrasses the Actor, who is forced to hold his Neck extremely
stiff and steady all the while he speaks; and notwithstanding any
Anxieties which he pretends for his Mistress, his Country, or his
Friends, one may see by his Action, that his greatest Care and Concern
is to keep the Plume of Feathers from falling off his Head. For my own
part, when I see a Man uttering his Complaints under such a Mountain of
Feathers, I am apt to look upon him rather as an unfortunate Lunatick,
than a distressed Hero. As these superfluous Ornaments upon the Head
make a great Man, a Princess generally receives her Grandeur from those
additional Incumbrances that fall into her Tail: I mean the broad
sweeping Train that follows her in all her Motions, and finds constant
Employment for a Boy who stands behind her to open and spread it to
Advantage. I do not know how others are affected at this Sight, but, I
must confess, my Eyes are wholly taken up with the Page's Part; and as
for the Queen, I am not so attentive to any thing she speaks, as to the
right adjusting of her Train, lest it should chance to trip up her
Heels, or incommode her, as she walks to and fro upon the Stage. It is,
in my Opinion, a very odd Spectacle, to see a Queen venting her Passion
in a disordered Motion, and a little Boy taking care all the while that
they do not ruffle the Tail of her Gown. The Parts that the two Persons
act on the Stage at the same Time, are very different: The Princess is
afraid lest she should incur the Displeasure of the King her Father, or
lose the Hero her Lover, whilst her Attendant is only concerned lest she
should entangle her Feet in her Petticoat.

We are told, That an ancient Tragick Poet, to move the Pity of his
Audience for his exiled Kings and distressed Heroes, used to make the
Actors represent them in Dresses and Cloaths that were thread-bare and
decayed. This Artifice for moving Pity, seems as ill-contrived, as that
we have been speaking of to inspire us with a great Idea of the Persons
introduced upon the Stage. In short, I would have our Conceptions raised
by the Dignity of Thought and Sublimity of Expression, rather than by a
Train of Robes or a Plume of Feathers.

Another mechanical Method of making great Men, and adding Dignity to
Kings and Queens, is to accompany them with Halberts and Battle-axes.
Tw