f
Your friend,
The King of _Latium_."
[Footnote 1: therefore shall]
[Footnote 2: whom]
[Footnote 3: In the opera of 'Camilla':
Camilla: That Dorindas my Name.
Linco: Well, I knowt, Ill take care.
Camilla: And my Life scarce of late--
Linco: You need not repeat.
Prenesto: Help me! oh help me!
[A wild Boar struck by Prenesto.]
Huntsman: Lets try to assist him.
Linco: Ye Gods, what Alarm!
Huntsman: Quick run to his aid.
[Enter Prenesto: The Boar pursuing him.]
Prenesto: O Heavns! who defends me?
Camilla: My Arm.
[She throws a Dart, and kills the Boar.]
Linco: Dorinda of nothing afraid,
Shes sprightly and gay, a valiant Maid,
And as bright as the Day.
Camilla: Take Courage, Hunter, the Savage is dead.
Katherine Tofts, the daughter of a person in the family of Bishop
Burnet, had great natural charms of voice, person, and manner. Playing
with Nicolini, singing English to his Italian, she was the first of our
'prime donne' in Italian Opera. Mrs. Tofts had made much money when
in 1709 she quitted the stage with disordered intellect; her voice being
then unbroken, and her beauty in the height of its bloom. Having
recovered health, she married Mr. Joseph Smith, a rich patron of arts
and collector of books and engravings, with whom she went to Venice,
when he was sent thither as English Consul. Her madness afterwards
returned, she lived, therefore, says Sir J. Hawkins,
'sequestered from the world in a remote part of the house, and had a
large garden to range in, in which she would frequently walk, singing
and giving way to that innocent frenzy which had seized her in the
earlier part of her life.'
She identified herself with the great princesses whose loves and sorrows
she had represented in her youth, and died about the year 1760.]
[Footnote 4: The 'Emperor of the Moon' is a farce, from the French,
by Mrs. Aphra Behn, first acted in London in 1687. It was originally
Italian, and had run 80 nights in Paris as 'Harlequin I'Empereur dans
le Monde de la Lune'. In Act II. sc. 3,
'The Front of the Scene is only a Curtain or Hangings to be drawn up
at Pleasure.'
Various gay masqueraders, interrupted by return of the Doctor, are
carried by Scaramouch behind the curtain. The Doctor enters in wrath,
vowing he has heard fiddles. Presently the curtain is dra
|