in proper Time
and Place.

But notwithstanding these various and learned Conjectures, I cannot
forbear thinking that the Cat-call is originally a Piece of English
Musick. Its Resemblance to the Voice of some of our British Songsters,
as well as the Use of it, which is peculiar to our Nation, confirms me
in this Opinion. It has at least received great Improvements among us,
whether we consider the Instrument it self, or those several Quavers and
Graces which are thrown into the playing of it. Every one might be
sensible of this, who heard that remarkable overgrown Cat-call which was
placed in the Center of the Pit, and presided over all the rest at [the
[2]] celebrated Performance lately exhibited in Drury-Lane.

Having said thus much concerning the Original of the Cat-call, we are in
the next place to consider the Use of it. The Cat-call exerts it self to
most advantage in the British Theatre: It very much Improves the Sound
of Nonsense, and often goes along with the Voice of the Actor who
pronounces it, as the Violin or Harpsichord accompanies the Italian
Recitativo.

It has often supplied the Place of the antient Chorus, in the Works of
Mr.----In short, a bad Poet has as great an Antipathy to a Cat-call, as
many People have to a real Cat.

Mr. Collier, in his ingenious Essay upon Musick [3] has the following
Passage:

I believe tis possible to invent an Instrument that shall have a
quite contrary Effect to those Martial ones now in use: An Instrument
that shall sink the Spirits, and shake the Nerves, and curdle the
Blood, and inspire Despair, and Cowardice and Consternation, at a
surprizing rate. Tis probable the Roaring of Lions, the Warbling of
Cats and Scritch-Owls, together with a Mixture of the Howling of Dogs,
judiciously imitated and compounded, might go a great way in this
Invention. Whether such Anti-Musick as this might not be of Service in
a Camp, I shall leave to the Military Men to consider.

What this learned Gentleman supposes in Speculation, I have known
actually verified in Practice. The Cat-call has struck a Damp into
Generals, and frighted Heroes off the Stage. At the first sound of it I
have seen a Crowned Head tremble, and a Princess fall into Fits. The
Humorous Lieutenant himself could not stand it; nay, I am told that even
Almanzor looked like a Mouse, and trembled at the Voice of this
terrifying Instrument.

As it is of a Dramatick Nature, and peculiarly appropriated