ous Mr. William Penkethman in
the Fop's Fortune;[5] where, in the Character of Don Cholerick Snap
Shorto de Testy, he answers no Questions but to those whom he likes, and
wants no account of any thing from those he approves. Mr. Penkethman is
also Master of as many Faces in the Dumb-Scene as can be expected from a
Man in the Circumstances of being ready to perish out of Fear and
Hunger: He wonders throughout the whole Scene very masterly, without
neglecting his Victuals. If it be, as I have heard it sometimes
mentioned, a great Qualification for the World to follow Business and
Pleasure too, what is it in the Ingenious Mr. Penkethman to represent a
Sense of Pleasure and Pain at the same time; as you may see him do this
Evening? [6]

As it is certain that a Stage ought to be wholly suppressed, or
judiciously encouraged, while there is one in the Nation, Men turned for
regular Pleasure cannot employ their Thoughts more usefully, for the
Diversion of Mankind, than by convincing them that it is in themselves
to raise this Entertainment to the greatest Height. It would be a great
Improvement, as well as Embellishment to the Theatre, if Dancing were
more regarded, and taught to all the Actors. One who has the Advantage
of such an agreeable girlish Person as Mrs. Bicknell, joined with her
Capacity of Imitation, could in proper Gesture and Motion represent all
the decent Characters of Female Life. An amiable Modesty in one Aspect
of a Dancer, an assumed Confidence in another, a sudden Joy in another,
a falling off with an Impatience of being beheld, a Return towards the
Audience with an unsteady Resolution to approach them, and a well-acted
Sollicitude to please, would revive in the Company all the fine Touches
of Mind raised in observing all the Objects of Affection or Passion they
had before beheld. Such elegant Entertainments as these, would polish
the Town into Judgment in their Gratifications; and Delicacy in Pleasure
is the first step People of Condition take in Reformation from Vice.
Mrs. Bicknell has the only Capacity for this sort of Dancing of any on
the Stage; and I dare say all who see her Performance tomorrow Night,
when sure the Romp will do her best for her own Benefit, will be of my
Mind.

T.

[Footnote 1: Farquhar's Constant Couple, or A Trip to the Jubilee.]

[Footnote 2: Ben Jonson's Volpone.]

[Footnote 3: In Colley Cibber's Careless Husband.]

[Footnote 4: In Ben Jonson's Volpone.]

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