empty Carr again:
Then You, with Looks divinely mild,
In evry heavnly Feature smil'd,
And ask'd what new Complaints I made,
And why I call'd you to my Aid_?

V. _What Phrenzy in my Bosom rag'd,
And by what Care to be asswag'd?
What gentle Youth I could allure,
Whom in my artful Toiles secure?
Who does thy tender Heart subdue,
Tell me, my_ Sappho, _tell me Who_?

VI. _Tho now he Shuns thy longing Arms,
He soon shall court thy slighted Charms;
Tho now thy Offrings he despise,
He soon to thee shall Sacrifice;
Tho now he freeze, he soon shall burn,
And be thy Victim in his turn_.

VII. _Celestial Visitant, once more
Thy needful Presence I implore!
In Pity come and ease my Grief,
Bring my distemper'd Soul Relief;
Favour thy Suppliants hidden Fires,
And give me All my Heart desires_.

Madam _Dacier_ observes, there is something very pretty in that
Circumstance of this Ode, wherein _Venus_ is described as sending away
her Chariot upon her Arrival at _Sappho's_ Lodgings, to denote that it
was not a short transient Visit which she intended to make her. This Ode
was preserved by an eminent _Greek_ Critick, [3] who inserted it intire
in his Works, as a Pattern of Perfection in the Structure of it.

_Longinus_ has quoted another Ode of this great Poetess, which is
likewise admirable in its Kind, and has been translated by the same Hand
with the foregoing one. I shall oblige my Reader with it in another
Paper. In the mean while, I cannot but wonder, that these two finished
Pieces have never been attempted before by any of our Countrymen. But
the Truth of it is, the Compositions of the Ancients, which have not in
them any of those unnatural Witticisms that are the Delight of ordinary
Readers, are extremely difficult to render into another Tongue, so as
the Beauties of the Original may not appear weak and faded in the
Translation.

C.

[Footnote 1: Leucas]

[Footnote 2: Ambrose Philips, whose Winter Piece appeared in No. 12 of
the _Tatler_, and whose six Pastorals preceded those of Pope. Philips's
Pastorals had appeared in 1709 in a sixth volume of a Poetical
Miscellany issued by Jacob Tonson. The first four volumes of that
Miscellany had been edited by Dryden, the fifth was collected after
Dryden's death, and the sixth was notable for opening with the Pastorals
of Ambrose Philips and closing