ootnote 1: Wisdom vi. 12-16.]

* * * * *

No. 226 Monday, November 19, 1711. [1] Steele.

--Mutum est pictura poema.

Hor. [2]

I have very often lamented and hinted my Sorrow in several Speculations,
that the Art of Painting is made so little Use of to the Improvement of
our Manners. When we consider that it places the Action of the Person
represented in the most agreeable Aspect imaginable, that it does not
only express the Passion or Concern as it sits upon him who is drawn,
but has under those Features the Height of the Painters Imagination.
What strong Images of Virtue and Humanity might we not expect would be
instilled into the Mind from the Labours of the Pencil? This is a Poetry
which would be understood with much less Capacity, and less Expence of
Time, than what is taught by Writings; but the Use of it is generally
perverted, and that admirable Skill prostituted to the basest and most
unworthy Ends. Who is the better Man for beholding the most beautiful
_Venus_, the best wrought _Bacchanal_, the Images of sleeping _Cupids_,
languishing Nymphs, or any of the Representations of Gods, Goddesses,
Demy-gods, Satyrs, _Polyphemes_, Sphinxes, or Fauns? But if the Virtues
and Vices, which are sometimes pretended to be represented under such
Draughts, were given us by the Painter in the Characters of real Life,
and the Persons of Men and Women whose Actions have rendered them
laudable or infamous; we should not see a good History-Piece without
receiving an instructive Lecture. There needs no other Proof of this
Truth, than the Testimony of every reasonable Creature who has seen the
Cartons in Her Majesty's Gallery at _Hampton--Court_: These are
Representations of no less Actions than those of our Blessed Saviour and
his Apostles. As I now sit and recollect the warm Images which the
admirable _Raphael_ has raised, it is impossible even from the faint
Traces in ones Memory of what one has not seen these two Years, to be
unmoved at the Horror and Reverence which appear in the whole Assembly
when the mercenary Man fell down dead; at the Amazement of the Man born
blind, when he first receives Sight; or at the graceless Indignation of
the Sorcerer, when he is struck blind. The Lame, when they first find
Strength in their Feet, stand doubtful of their new Vigour. The heavenly
Apostles appear acting these great Things, with a deep Sense of the