on not but it will be as acceptable to the Reader.

Mr. Spectator, [1]

You, who are no Stranger to Publick Assemblies, cannot but have
observed the Awe they often strike on such as are obliged to exert any
Talent before them. This is a sort of elegant Distress, to which
ingenuous Minds are the most liable, and may therefore deserve some
remarks in your Paper. Many a brave Fellow, who has put his Enemy to
Flight in the Field, has been in the utmost Disorder upon making a
Speech before a Body of his Friends at home: One would think there was
some kind of Fascination in the Eyes of a large Circle of People, when
darting altogether upon one Person. I have seen a new Actor in a
Tragedy so bound up by it as to be scarce able to speak or move, and
have expected he would have died above three Acts before the Dagger or
Cup of Poison were brought in. It would not be amiss, if such an one
were at first introduced as a Ghost or a Statue, till he recovered his
Spirits, and grew fit for some living Part.

As this sudden Desertion of ones self shews a Diffidence, which is
not displeasing, it implies at the same time the greatest Respect to
an Audience that can be. It is a sort of mute Eloquence, which pleads
for their Favour much better than Words could do; and we find their
Generosity naturally moved to support those who are in so much
Perplexity to entertain them. I was extremely pleased with a late
Instance of this Kind at the Opera of _Almahide_, in the Encouragement
given to a young Singer, [2] whose more than ordinary Concern on her
first Appearance, recommended her no less than her agreeable Voice,
and just Performance. Meer Bashfulness without Merit is awkward; and
Merit without Modesty, insolent. But modest Merit has a double Claim
to Acceptance, and generally meets with as many Patrons as Beholders.
_I am_, &c.

It is impossible that a Person should exert himself to Advantage in an
Assembly, whether it be his Part either to sing or speak, who lies under
too great Oppressions of Modesty. I remember, upon talking with a Friend
of mine concerning the Force of Pronunciation, our Discourse led us into
the Enumeration of the several Organs of Speech which an Orator ought to
have in Perfection, as the Tongue, the Teeth [the Lips,] the Nose, the
Palate, and the Wind-pipe. Upon which, says my Friend, you have omitted
the most material Organ of them all, and that is the F