turally does to an Enemy that is dead. In short, we should
esteem Virtue though in a Foe, and abhor Vice though in a Friend.

I speak this with an Eye to those cruel Treatments which Men of all
Sides are apt to give the Characters of those who do not agree with
them. How many Persons of undoubted Probity, and exemplary Virtue, on
either Side, are blackned and defamed? How many Men of Honour exposed to
publick Obloquy and Reproach? Those therefore who are either the
Instruments or Abettors in such Infernal Dealings, ought to be looked
upon as Persons who make use of Religion to promote their Cause, not of
their Cause to promote Religion.

C.

[Footnote 1: [we find that _Cato_,]]

* * * * *

No. 244. Monday, December 10, 1711. Steele.

--Judex et callidus audis.

Hor.

_Covent-Garden, Dec. 7._

_Mr_. SPECTATOR,

I cannot, without a double Injustice, forbear expressing to you the
Satisfaction which a whole Clan of Virtuosos have received from those
Hints which you have lately given the Town on the Cartons of the
inimitable _Raphael_. It [1] should be methinks the Business of a
SPECTATOR to improve the Pleasures of Sight, and there cannot be a
more immediate Way to it than recommending the Study and Observation
of excellent Drawings and Pictures. When I first went to view those of
_Raphael_ which you have celebrated, I must confess 1 was but barely
pleased; the next time I liked them better, but at last as I grew
better acquainted with them, I fell deeply in love with them, like
wise Speeches they sunk deep into my Heart; for you know, _Mr_.
SPECTATOR, that a Man of Wit may extreamly affect one for the Present,
but if he has not Discretion, his Merit soon vanishes away, while a
Wise Man that has not so great a Stock of Wit, shall nevertheless give
you a far greater and more lasting Satisfaction: Just so it is in a
Picture that is smartly touched but not well studied; one may call it
a witty Picture, tho the Painter in the mean time may be in Danger of
being called a Fool. On the other hand, a Picture that is thoroughly
understood in the Whole, and well performed in the Particulars, that
is begun on the Foundation of Geometry, carried on by the Rules of
Perspective, Architecture, and Anatomy, and perfected by a good
Harmony, a just and natural Colouring, and such Passions and