us trio. The illuminations, upon the rectos of the first and
second leaves, are as beautiful as they are sound. Upon the whole, this
book may fairly rank with any volume in either of the vellum sets of the
Aldine Aristotle. It is bound in red morocco; a little too gaudily.
CICERONIS ORATIONES. _Printed by Valdarfer_. 1471: Folio. Still revelling
among VELLUM copies of the early classics. This is a fine book, but it is
unluckily imperfect. I should say that it was of large and genuine
dimensions, did not a little close cropping upon the first illuminated page
tell a different tale. It measures twelve inches and six eighths, by eight
inches and a half. Upon the whole, though there be a few uncomfortably
looking perforations of the worm, this is a very charming copy. Its
imperfections do not consist of more than the deficiency of one leaf, which
contains the table.
OVIDII OPERA OMNIA. _Printed by Azoguidi_. 1471. Folio. 3 vols. The
supposed FIRST EDITION, and perhaps (when complete)[80] the rarest Editio
Princeps in existence. The copy before me partakes of the imperfection of
almost every thing earthly. It wants two leaves: but it is a magnificent,
and I should think unrivalled, copy--bating such imperfection. It measures
very nearly thirteen inches and a quarter, by little more than eight inches
three quarters. It is bound in red morocco.
AESOPUS. Latine. _Printed by Dom. de Vivaldis, &c_. 1481. Folio. A most
singular volume--in hexameter and pentameter, verses. To every fable is a
wood cut, quite in the ballad style of execution, with a back-ground like
coarse mosaic work. The text is printed in a large clumsy gothic letter.
The present is a sound copy, but not free from stain. Bound in blue
morocco.
AESOPUS. Italice. _Edited by Tuppi_. 1485. Folio. A well known and highly
coveted edition: but copies are very rare, especially when of goodly
dimensions. This is a large and beautiful book; although I observe that the
border, on the right margin of the first leaf, is somewhat cut away. The
graphic art in this volume has a very imposing appearance.
---- Germanice. _Without Date or Name of Printer_. Folio. This edition is
printed in a fine large open gothic type. There is the usual whole length
cut of AEsop. The other cuts are spirited, after the fashion of those in
Boccacio De Malis Mulier. Illust.--printed by John Zeiner at Ulm in 1473.
The present is a fine, sound copy: in red morocco binding.
AESOPUS. Germanic
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