d edition is "_A Troyes, Chez Nicolas Oudot_, &c. 1634."
4to. in double columns, small roman letter. No cuts, but on the recto and
reverse of the frontispiece. The fourth edition is also "_A Troyes Chez
Pierre Garnier_, 1726," 4to. in double columns, roman letter. A very
ballad-like production.

LES QUATRE FILZ AYMON, Two. editions. One. "_a Lyon par Benoist Rigaud_,
1583," 4to. The printing is of the ballad-kind, although there are some
spirited wood-cuts, which have been wretchedly pulled. The generality are
as bad as the type and paper.

MABRIAN. &c. "_A Troyes, Chez Oudot_, 1625," 4to. A vastly clever wood-cut
frontispiece, but wretched paper and printing. From the _Cat. de Nyon_; no.
8135.

MORGANT LE GEANT. "_A Troyes, Chez Nicholas Oudot_, 1650, 4to." A pretty
wood-cut frontispiece, and an extraordinary large cut of St. George and the
Dragon on the reverse. There was a previous Edition by the same Printer at
Rouen, in 1618, which contains the second book--wanting in this copy.

GERARD COMTE DE NEVERS, &C. 1526, 4to. The title is over the arms of
France, and the text is executed in a handsome gothic letter, in long
lines. At the end, it appears to have been printed for _Philip le Noir_. It
is a very small quarto, and the volume is of excessive rarity. The present
is a fine copy, in red morocco binding.

CRONIQUE DE FLORIMONT, &C. At "_Lyons--par Olivier Arnoullet_," 4to. At the
end is the date of 1529. This impression is executed in a handsome gothic
type, in long lines.

TROYS FILZ DE ROYS. Printed for "_Nicolas Chrestien--en la Rue neufue
nostre Dame_," &c. Without date, 4to. The frontispiece displays a large
rude wood cut; and the edition is printed in the black letter, in double
columns. All the cuts are coarse. The book, however, is of uncommon
occurrence.

PARIS ET VIENNE:--"_a Paris, Chez Simon Caluarin rue St. Jacques_." Without
date: in double columns; black letter, coarsely printed. A pretty wood-cut
at the beginning is repeated at the end. This copy is from the Colbert
Library.

PIERRE DE PROVENCE ET LA BELLE MAGUELONNE. 1490. 4to. The title is over a
large wood-cut of a man and woman, repeated on the reverse of the leaf. The
impression is in black letter, printed in long lines, with rather coarse
wood-cuts. I apprehend this small quarto volume to be of extreme rarity.

JEHAN DE SAINTRE--"_Paris, pour Jehan Bonfons_," &c. 4to. _Without date_. A
neatly printed book, in double columns, in the go