nd the Fat were the
most noble, the most august, and the most holy things.]

[Footnote 5: [such Beautiful]]

[Footnote 6: Longimus on the Sublime, I. Sec. 9. of Discord, Homer says
(Popes tr.):

While scarce the skies her horrid head can bound,
She stalks on earth.

(Iliad iv.)

Of horses of the gods:

Far as a shepherd from some spot on high
O'er the wide main extends his boundless eye,
Through such a space of air, with thundring sound,
At one long leap th' immortal coursers bound.

(Iliad v.)

Longinus quotes also from the Iliad xix., the combat of the Gods, the
description of Neptune, Iliad xi., and the Prayer of Ajax, Iliad xvii.]

[Footnote 7: [little]]

[Footnote 8: [affect it. I remember but one line in him which has been
objected against, by the Criticks, as a point of Wit. It is in his ninth
Book, where _Juno_, speaking of the _Trojans_, how they survived the
Ruins of their City, expresses her self in the following words;

_Num copti potuere copi, num incense cremorunt Pergama?_

_Were the Trojans taken even after they were Captives, or did_ Troy
_burn even when it was in Flames?_]

[Footnote 9: [low]]

[Footnote 10: Zoilus, who lived about 270 B. C., in the time of Ptolemy
Philadelphus, made himself famous for attacks upon Homer and on Plato
and Isocrates, taking pride in the title of Homeromastix. Circes men
turned into swine Zoilus ridiculed as weeping porkers. When he asked
sustenance of Ptolemy he was told that Homer sustained many thousands,
and as he claimed to be a better man than Homer, he ought to be able to
sustain himself. The tradition is that he was at last crucified, stoned,
or burnt for his heresy.]

[Footnote 11: Charles Perrault, brother of Claude Perrault the architect
and ex-physician, was himself Controller of Public Buildings under
Colbert, and after his retirement from that office, published in 1690
his Parallel between the Ancients and Moderns, taking the side of the
moderns in the controversy, and dealing sometimes disrespectfully with
Homer. Boileau replied to him in Critical Reflections on Longinus.]

[Footnote 12: [Sentiments]]

[Footnote 13: Iliad, Bk. i., near the close.]

[Footnote 14: Iliad, Bk. ii.]

[Footnote 15: Bk. v., at close.]

[Footnote 16: Odyssey, Bk. xviii]

[Footnote 17: Paradise Lost, Bk. vi. 1. 609, &c. Milton meant that the
devils should be shown as scoffers, and their scoffs as mean.]