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of Douglas._ The play on which this poem was founded was the tragedy of "Douglas" by John Home (1722-1808), produced in 1756. Young Norval, or Douglas, the hero, after killing the false Glenalvon, is slain by his stepfather, Lord Randolph, unknowing who he is. On hearing of Norval's death his mother, Lady Randolph, throws herself from a precipice. In the letter to Coleridge of December 5, 1796, quoted above, Lamb also copied out "The Tomb of Douglas," prefixing these remarks:--"I would also wish to retain the following if only to perpetuate the memory of so exquisite a pleasure as I have often received at the performance of the tragedy of Douglas, when Mrs. Siddons has been the Lady Randolph.... To understand the following, if you are not acquainted with the play, you should know that on the death of Douglas his mother threw herself down a rock; and that at that time Scotland was busy in repelling the Danes." Coleridge told Southey that Lamb during his derangement at the end of 1795 and beginning of 1796 believed himself at one time to be Young Norval. Lamb printed this poem, which differs curiously in character from all his other poetical works, only once--in 1797. * * * * * Page 12. _To Charles Lloyd._ Lamb copied these lines in a letter to Coleridge on January 18, 1797, remarking:--"You have learned by this time, with surprise, no doubt, that Lloyd is with me in town. The emotions I felt on his coming so unlooked for are not ill expressed in what follows, and what if you do not object to them as too personal, and to the world obscure, or otherwise wanting in worth I should wish to make a part of our little volume." It must be remembered, in reading the poem, that Lamb was still in the shadow of the tragedy in which he lost his mother, and, for a while, his sister, and which had ruined his home. For other lines to Charles Lloyd see page 21. This poem was printed by Lamb twice--in 1797 and 1818. * * * * * Page 13. _A Vision of Repentance_. Writing to Coleridge on June 13, 1797, Lamb says of this Spenserian exercise:--"You speak slightingly. Surely the longer stanzas were pretty tolerable; at least there was one good line in it [line 5]: "Thick-shaded trees, with dark green leaf rich clad. To adopt your own expression, I call this a 'rich' line, a fine full line. And some others I thought even beautiful." Lamb printed the po
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