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subject I should like to quote the following lines from _The Champion_ of November 4 and 5, 1820:-- A LADY'S SAPPHIC Now the calm evening hastily approaches, Not a sound stirring thro' the gentle woodlands, Save that soft Zephyr with his downy pinions Scatters fresh fragrance. Now the pale sun-beams in the west declining Gild the dew rising as the twilight deepens, Beauty and splendour decorate the landscape; Night is approaching. By the cool stream's side pensively and sadly Sit I, while birds sing on the branches sweetly, And my sad thoughts all with their carols soothing, Lull to oblivion. M.L. A correspondence on English sapphics was carried on in _The Champion_ for some weeks at this time, various efforts being printed. On November 4 appeared the "Lady's Sapphic," just quoted, signed M.S. On the following day--for _The Champion_, like _The Examiner_, had a Saturday and Sunday edition--this signature was changed to M.L., and was thus given when the verses were reprinted in _The Poetical Recreations_ of _"The Champion"_ in 1822. There is no evidence that Mary Lamb wrote it; but she played with verse, and presumably read _The Champion_, since her brother was writing for it, and the poem might easily be hers. Personally I like to think it is, and that Lamb, on seeing the mistake in the initials in the Saturday edition, hurried down to the office to have it put right in that of Sunday. The same number of _The Champion_ (November 4 and 5, 1820) contains another poem in the same measure signed C., which not improbably was Lamb's contribution to the pastime. It runs as follows:-- DANAE EXPOSED WITH HER INFANT _An English Sapphic_ Dim were the stars, and clouded was the azure, Silence in darkness brooded on the ocean, Save when the wave upon the pebbled sea-beach Faintly resounded. Then, O forsaken daughter of Acrisius! Seiz'd in the hour of woe and tribulation, Thou, with the guiltless victim of thy love, didst Rock on the surges. Sad o'er the silent bosom of the billow, Borne on the breeze and modulated sweetly, Plaintive as music, rose the mother's tones of Comfortless anguish. "Sad is thy birth, and stormy is thy cradle, Offspring of sorrow! nursling of the ocean! Waves rise around to pillow thee, a
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