" " front to rear.
6 " " back to front.
2 " " front to rear.
* * * *
[Illustration: Fig. 37]
On 6 shafts straight draw, pointed weave 5-1.
* * * *
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[Illustration: Fig. 38]
On 8 shafts straight through, pointed weave 5-1, 1-1.
* * * *
[Illustration: Fig. 39]
_Broken pointed twill_, on 8 harness.
* * * *
[Page 31]
[Illustration: Fig. 40]
On 6 shafts point draw, pointed weave 5-1.
* * * *
[Illustration: Fig. 41]
On 8 shafts point draw, pointed weave 5-1, 1-1.
* * * *
[Page 32]
[Illustration: Fig. 42]
_Fancy twill_, on 16 shafts straight draw.
* * * * *
SATIN WEAVES
The distinct diagonal lines which characterize the class of weaves
explained in the previous chapter are absent in the satin weaves; and while
the interlacing in the former is done in a strictly consecutive order, we
endeavor to scatter the points of stitching in the latter as much as
possible, in order to create an entirely smooth and brilliant surface on
[Page 33]
the cloth.
In all satins the number of ends in a repeat is the same in warp and
filling.
The lowest repeat of a regular satin comprises five threads of each system,
and the interlacing is done in the following order:
The 1st pick with the 1st warp-thread
" 2d " " 3d "
" 3d " " 5th "
" 4th " " 2d "
" 5th " " 4th "
Fig. 43 illustrates this weave. An examination of the rotation, as given
above, will show that every warp-thread intersects two picks apart from its
neighbor. The number "2" is in this case what is technically known as the
_counter_, that is the number which indicates the points of interlacing by
adding it to number 1 and continuing so until all the warp-threads are
taken up.
The following is the rule to find the counter for any regular satin:
Divide the number of harness into two parts, which must neither be equal
nor have a common divisor. Any of these two numbers can be u
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