itor of Israel,
and ascendant of Heber and Heremon, progenitors of Ireland: their
archaeological, genealogical, hagiographical, exegetical, homiletic,
toponomastic, historical and religious literatures comprising the works
of rabbis and culdees, Torah, Talmud (Mischna and Ghemara), Massor,
Pentateuch, Book of the Dun Cow, Book of Ballymote, Garland of Howth,
Book of Kells: their dispersal, persecution, survival and revival: the
isolation of their synagogical and ecclesiastical rites in ghetto (S.
Mary's Abbey) and masshouse (Adam and Eve's tavern): the proscription
of their national costumes in penal laws and jewish dress acts: the
restoration in Chanah David of Zion and the possibility of Irish
political autonomy or devolution.
What anthem did Bloom chant partially in anticipation of that multiple,
ethnically irreducible consummation?
_Kolod balejwaw pnimah
Nefesch, jehudi, homijah._
Why was the chant arrested at the conclusion of this first distich?
In consequence of defective mnemotechnic.
How did the chanter compensate for this deficiency?
By a periphrastic version of the general text.
In what common study did their mutual reflections merge?
The increasing simplification traceable from the Egyptian epigraphic
hieroglyphs to the Greek and Roman alphabets and the anticipation of
modern stenography and telegraphic code in the cuneiform inscriptions
(Semitic) and the virgular quinquecostate ogham writing (Celtic). Did
the guest comply with his host's request?
Doubly, by appending his signature in Irish and Roman characters.
What was Stephen's auditive sensation?
He heard in a profound ancient male unfamiliar melody the accumulation
of the past.
What was Bloom's visual sensation?
He saw in a quick young male familiar form the predestination of a
future.
What were Stephen's and Bloom's quasisimultaneous volitional
quasisensations of concealed identities?
Visually, Stephen's: The traditional figure of hypostasis, depicted
by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as
leucodermic, sesquipedalian with winedark hair. Auditively, Bloom's: The
traditional accent of the ecstasy of catastrophe.
What future careers had been possible for Bloom in the past and with
what exemplars?
In the church, Roman, Anglican or Nonconformist: exemplars, the very
reverend John Conmee S. J., the reverend T. Salmon, D. D., provost of
Trinity college, Dr Alexander J
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