on of a second later, a painful sensation was located in
consequence of antecedent sensations transmitted and registered.

Describe the alterations effected in the disposition of the articles of
furniture.

A sofa upholstered in prune plush had been translocated from opposite
the door to the ingleside near the compactly furled Union Jack (an
alteration which he had frequently intended to execute): the blue and
white checker inlaid majolicatopped table had been placed opposite the
door in the place vacated by the prune plush sofa: the walnut sideboard
(a projecting angle of which had momentarily arrested his ingress) had
been moved from its position beside the door to a more advantageous but
more perilous position in front of the door: two chairs had been moved
from right and left of the ingleside to the position originally occupied
by the blue and white checker inlaid majolicatopped table.

Describe them.

One: a squat stuffed easychair, with stout arms extended and back
slanted to the rere, which, repelled in recoil, had then upturned an
irregular fringe of a rectangular rug and now displayed on its amply
upholstered seat a centralised diffusing and diminishing discolouration.
The other: a slender splayfoot chair of glossy cane curves, placed
directly opposite the former, its frame from top to seat and from seat
to base being varnished dark brown, its seat being a bright circle of
white plaited rush.

What significances attached to these two chairs?

Significances of similitude, of posture, of symbolism, of circumstantial
evidence, of testimonial supermanence.

What occupied the position originally occupied by the sideboard?

A vertical piano (Cadby) with exposed keyboard, its closed coffin
supporting a pair of long yellow ladies' gloves and an emerald ashtray
containing four consumed matches, a partly consumed cigarette and two
discoloured ends of cigarettes, its musicrest supporting the music in
the key of G natural for voice and piano of _Love's Old Sweet Song_
(words by G. Clifton Bingham, composed by J. L. Molloy, sung by Madam
Antoinette Sterling) open at the last page with the final indications
_ad libitum, forte_, pedal, _animato_, sustained pedal, _ritirando_,
close.

With what sensations did Bloom contemplate in rotation these objects?

With strain, elevating a candlestick: with pain, feeling on his right
temple a contused tumescence: with attention, focussing his gaze on
a large dull pa