ssive and a slender bright active: with solicitation,
bending and downturning the upturned rugfringe: with amusement,
remembering Dr Malachi Mulligan's scheme of colour containing the
gradation of green: with pleasure, repeating the words and antecedent
act and perceiving through various channels of internal sensibility
the consequent and concomitant tepid pleasant diffusion of gradual
discolouration.

His next proceeding?

From an open box on the majolicatopped table he extracted a black
diminutive cone, one inch in height, placed it on its circular base on
a small tin plate, placed his candlestick on the right corner of the
mantelpiece, produced from his waistcoat a folded page of prospectus
(illustrated) entitled Agendath Netaim, unfolded the same, examined
it superficially, rolled it into a thin cylinder, ignited it in the
candleflame, applied it when ignited to the apex of the cone till the
latter reached the stage of rutilance, placed the cylinder in the basin
of the candlestick disposing its unconsumed part in such a manner as to
facilitate total combustion.

What followed this operation?

The truncated conical crater summit of the diminutive volcano emitted a
vertical and serpentine fume redolent of aromatic oriental incense.

What homothetic objects, other than the candlestick, stood on the
mantelpiece?

A timepiece of striated Connemara marble, stopped at the hour of 4.46
a.m. on the 21 March 1896, matrimonial gift of Matthew Dillon: a dwarf
tree of glacial arborescence under a transparent bellshade, matrimonial
gift of Luke and Caroline Doyle: an embalmed owl, matrimonial gift of
Alderman John Hooper.

What interchanges of looks took place between these three objects and
Bloom?

In the mirror of the giltbordered pierglass the undecorated back of the
dwarf tree regarded the upright back of the embalmed owl. Before
the mirror the matrimonial gift of Alderman John Hooper with a clear
melancholy wise bright motionless compassionate gaze regarded Bloom
while Bloom with obscure tranquil profound motionless compassionated
gaze regarded the matrimonial gift of Luke and Caroline Doyle.

What composite asymmetrical image in the mirror then attracted his
attention?

The image of a solitary (ipsorelative) mutable (aliorelative) man.

Why solitary (ipsorelative)?

_Brothers and sisters had he none. Yet that man's father was his
grandfather's son._

Why mutable (aliorelative)?

From infanc